Julius Hemphill
The Boyé Multi-National Crusade For Harmony (New World Records). Review by James Mann.
The Boyé Multi-National Crusade For Harmony (New World Records). Review by James Mann.
Suite for the End of the Earth / We Are All Branches of the Same Tree. Review by Bob Pomeroy.
Albert Ayler’s Ghosts Live at the Yellow Ghetto (Smog Veil). Review by James Mann.
Antelope Freeway/Equinox Express Elevator (Impulse! ). Review by James Mann.
Truce Opium (Emergency Umbrella). Review by Michael Crown.
Idiosyncratic and in relentless pursuit of perfection, Sonny Rollins cut a swath through jazz music that has yet to fade out. Scott Adams examines this documentary of his musical achievements.
Obtanium (Ipecac). Review by Rob Walsh.
Vivid (Flying Note). Review by Nirav Soni.
Live in Greenwich Village (Impulse). Review by Tom Minarchic
Macabre masterpiece The House that Screamed gets a stunning Blu-ray makeover, revealing a release good enough to convert non-believers. Phil Bailey reviews.
Ink 19’s Stacey Zering talks with writer Doug Bratton, who takes us inside his indie murder mystery comic book series, Isolation.
On today’s show, Charley Deppner, Eszter Balint, and Pat Greene enjoy a discussion of terror, punk rock, and the duality of musical genius.
In this episode, Jeremy Glazier talks with Tim Bluhm and Greg Loiacono of The Mother Hips, just as their entire back catalog is released on vinyl in partnership with the Blue Rose Foundation.
This week, savvy shopper Christopher Long scores an abused vinyl copy of The Long Run, the 1979 Eagles classic, from a local junkie for a pack of smokes and a can of pop.
Black Holes Are Hard to Find (Nemu Records). Review by Carl F. Gauze.
Carl F. Gauze reviews his second As You Like It in three days, the latest a candy-colored complexity from Rollins College’s Annie Russell Theatre.
Episode 21, in which Jeremy Glazier has a fun conversation with the incredible musician, author, and artist Andy Aledort.