Everybody Loves Antiseen
A Tribute to the Boys from Brutalsville. (TKO). Review by Scott Adams.
A Tribute to the Boys from Brutalsville. (TKO). Review by Scott Adams.
The Burning South (Devil Doll Records). Review by Matthew Moyer.
Tom “Tearaway” Schulte delves into the making of the Clinton Administration record, ducks Mayhem’s flying sheep, watches a movie about Elvis impersonators and listens to tons of records in Outsight.
Volume 7 (Devil Doll). Review by Stein Haukland.
Eat More Possum (TKO). Review by Stein Haukland.
The Texas-Jerusalem Crossroads (Bella Union). Review by Matthew Moyer.
Southern Apocalypse (Retribute). Review by Matthew Moyer.
Drastic / Royalty (TKO). Review by Stein Haukland.
Kurt Russell is nowhere to be seen, but Tom “Tearaway” Schulte is here to survey a cityscape littered with pop culture detritus.
A bonafide Mr. Tom “Tearaway” Schulte returns refreshed with plenty of opinions on Alex Skolnick, Darby Crash, Turbonegro, his top 10 bubbling under for 2002, and tons of discs.
Various Artists (TKO). Review by Brian Kruger.
The Boys From Brutalsville (TKO). Review by Matthew Moyer.
Bob Pomeroy digs into Un “Sung Stories” (1986, Liberation Hall), Blasters’ frontman Phil Alvin’s American Roots collaboration with Sun Ra and his Arkestra, the Dirty Dozen Brass Band, and New Orleans saxman Lee Allen.
Roi J. Tamkin reviews A Darker Shade of Noir, fifteen new stories from women writers completely familiar with the horrors of owning a body in a patriarchal society, edited by Joyce Carol Oates.
Mandatory: The Best of The Blasters (Liberation Hall). Review by Bob Pomeroy.
Feeling funky this week, Christopher Long gets his groove on while discovering a well-cared-for used vinyl copy of one of his all-time R&B faves: Ice Cream Castle, the classic 1984 LP from The Time, for just a couple of bucks.
During AFI Fest 2023, Lily and Generoso interviewed director Lkhagvadulam Purev-Ochir, whose impressive debut feature, City of Wind, carefully examines the juxtaposition between the identity of place and tradition against the powers of modernity in contemporary Mongolia.
Juliana Hatfield Sings ELO (American Laundromat Records). Review by Laura Pontillo.
Ever-focused on finding (affordable) vinyl treasures, Christopher Long returns this week with his latest gem — a reasonably well-cared-for LP copy of The Glow, the 1979 studio classic from Bonnie Raitt.