Alasdair Roberts
The Wyrd Meme (Drag City). Review by Aaron Shaul.
The Wyrd Meme (Drag City). Review by Aaron Shaul.
Spoils (Drag City). Review by Aaron Shaul.
Writing Down Things to Say (Words on Music). Review by Aaron Shaul.
Helena Espvall & Masaki Batoh (Drag City). Review by Aaron Shaul.
David Thomas Broughton vs. 7 Hertz (Acuarela). Review by Aaron Shaul.
Plain Songs (Arbouse). Review by Aaron Shaul.
An Interlude to the Outermost (Kraak). Review by Aaron Shaul.
The River (Marriage). Review by Aaron Shaul.
Kuutarha (Locust). Review by Aaron Shaul.
No Earthly Man (Drag City). Review by Aaron Shaul.
Trials & Errors (Secretly Canadian). Review by Aaron Shaul.
post-rock,rural,experimental folk,avant-garde,Califone,Heron King Blues,Thrill Jockey,Aaron Shaul
Heron King Blues (Thrill Jockey). Review by Aaron Shaul.
The Sand and the Stars (Drag City). Review by Aaron Shaul.
The Sand and the Stars (Drag City). Review by Aaron Shaul.
Farewell Sorrow (Drag City). Review by Aaron Shaul.
WACMusic (Badman Recording Co.). Review by Aaron Shaul.
Daylight Saving (Drag City). Review by Chad Bidwell
Sharon Van Etten & The Attachment Theory (Jagjaguwar). Review by Peter Lindblad.
This week, Christopher Long goes “gaga” over discovering an ’80s treasure: an OG vinyl copy of Spring Session M, the timeless 1982 classic from Missing Persons — for just six bucks!
Both bold experiment and colossal failure in the 1960s, Esperanto language art house horror film Incubus returns with pre-_Star Trek_ William Shatner to claim a perhaps more serious audience.
You Can’t Tell Me I’m Not What I Used To Be (North & Left Records). Review by Randy Radic.
In this latest installment of his weekly series, Christopher Long is betrayed by his longtime GF when she swipes his copy of Loretta Lynn’s Greatest Hits Vol. II right out from under his nose while rummaging through a south Florida junk store.