Malcolm Middleton
A Brighter Beat (Full Time Hobby). Review by Aaron Shaul.
A Brighter Beat (Full Time Hobby). Review by Aaron Shaul.
Music magazines are one of Matthew Moyer’s ten favorite sublime pleasures in life (write in for a list of the other nine). But, at present, his magazine-buying situation had grown pretty grim–until Copper Press saved him from the horror of Rolling Stone. Turn it up, bring the noise.
I’ll Take It (Arena Rock). Review by Matthew Moyer.
5:14 Fluoxytine Seagull Alcohol John Nicotine (Chemikal Underground). Review by Stein Haukland.
Offcell (Absolutely Kosher Records). Review by Margie Libling.
A mind-blowing performance that put the audience on an emotional rollercoaster from the very first note… and that has Margie Libling lining up amongst Conor Oberst’s many suitors.
Hate (Mantra Recordings). Review by Rob Walsh.
Water Hymns (Killdeer). Review by Rob Walsh.
Son of Evil Reindeer (Pias America / Bright Star). Review by Matt Cibula.
Today’s Smmoth Jazz Roundup is a collection of short reviews of easy-to-listen-to jazz.
In Perfect Harmony: The Lost Album (Jazz Detective). Review by Bob Pomeroy.
The Mighty Warriors: Live in Antwerp (Elemental Music). Review by Bob Pomeroy.
40 years on, Michael Gira and Swans continue to bring a ritualistic experience that needs to be heard in order to be believed. Featured photo by Reese Cann.
The biggest astronomical event of the decade coincides with a long overdue trip to Austin, Texas.
Sofia and Louise have just graduated nursing school. They have no idea what they’ve signed up for.
At the Showcase: Live in Chicago 1976/1977 (Jazz Detective). Review by Bob Pomeroy.
Atlantis Lullaby: The Concert in Avignon (Elemental Music). Review by Bob Pomeroy.
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.