Guster
Easy Wonderful (Universal Republic). Review by Sean Slone.
Easy Wonderful (Universal Republic). Review by Sean Slone.
Home Alive (Self-Released). Review by Carl F Gauze.
Rose Petralia takes an evil stroll through Toronto’s dark underbelly with Toronto Noir.
They Might Be Giants proves itself a gigantic nuclear furnace inside the belly of Orlando’s House of Blues. Rose Petralia basks in the glow.
My Socks Never Match (Self-Released). Review by Brittany Sturges.
The Hold Steady are in part known for the copious amounts of alcohol they consume onstage during every performance. How much alcohol can they actually get through in an hour and change? Jen Cray was at their Orlando gig to find out.
An evening with Canadian jokesters Barenaked Ladies was an almost illegal amount of fun. Between the energy of BNL and catchy grooves of Mike Doughty it was enough to leave Linda Tate spent.
Unidirectional. Review by Kyrby Raine.
Perception (Ultrax Records). Review by Andrew Ellis.
Mazatlan (2024). Review by Aaron Shaul.
Drill A Hole In That Substrate And Tell Me What You See (Luaka Bop). Review by James Mann.
Honky Mofo (Sick Pup). Review by Daniel Mitchell.
It’s A Calling (Asian Man). Review by Daniel Mitchell.
Dada (self-released). Review by Stein Haukland.
High Enough to Notice (Wheelkick). Review by Vanessa Bormann.
Ordinary Guise (Slipped Discs). Review by Vanessa Bormann.
Flavour (self-released). Review by Vanessa Bormann.
Visitor Jim (Fortune). Review by Marcel Feldmar.
Superconnector (Meteor). Review by Vanessa Bormann.
Underneath (BMG). Review by Marcel Feldmar.
Another gem in Marco Bellocchio’s oeuvre, journalism thriller Slap the Monster on Page One is as relevant today as it was in 1972.
Before there was Leather Tuscadero, Suzi Quatro was in two pioneering, all-woman rock bands in her hometown of Detroit, Michigan. This is a Quick Look at those bands: The Pleasure Seekers and Cradle.
Lily and Generoso review director Hernán Rosselli’s second hybrid-fiction crime film that artfully explores our perceived notions of family.
Lights On A Satellite: Live At The Left Bank (Resonance Records). Review by Bob Pomeroy.
Don’t let the stats fool you. Zyzzyx Road may have been the lowest grossing movie in history, but is it worth checking out? Phil Bailey explores the new 4K UHD from Dark Arts Entertainment.
In France: Live at the 1977 Nancy Jazz Pulsations Festival ( Deep Digs). Review by Bob Pomeroy.
The first film based on Junji Ito’s manga, Tomie, makes its US Blu-ray debut from Arrow Video.