Guster
Easy Wonderful (Universal Republic). Review by Sean Slone.
Easy Wonderful (Universal Republic). Review by Sean Slone.
Home Alive (Self-Released). Review by Carl F Gauze.
Rose Petralia takes an evil stroll through Toronto’s dark underbelly with Toronto Noir.
They Might Be Giants proves itself a gigantic nuclear furnace inside the belly of Orlando’s House of Blues. Rose Petralia basks in the glow.
My Socks Never Match (Self-Released). Review by Brittany Sturges.
The Hold Steady are in part known for the copious amounts of alcohol they consume onstage during every performance. How much alcohol can they actually get through in an hour and change? Jen Cray was at their Orlando gig to find out.
An evening with Canadian jokesters Barenaked Ladies was an almost illegal amount of fun. Between the energy of BNL and catchy grooves of Mike Doughty it was enough to leave Linda Tate spent.
Unidirectional. Review by Kyrby Raine.
Perception (Ultrax Records). Review by Andrew Ellis.
Mazatlan (2024). Review by Aaron Shaul.
Jim White,Drill A Hole In That Substrate And Tell Me What You See,Luaka Bop ,James Mann
Drill A Hole In That Substrate And Tell Me What You See (Luaka Bop). Review by James Mann.
Honky Mofo (Sick Pup). Review by Daniel Mitchell.
It’s A Calling (Asian Man). Review by Daniel Mitchell.
Dada (self-released). Review by Stein Haukland.
High Enough to Notice (Wheelkick). Review by Vanessa Bormann.
Ordinary Guise (Slipped Discs). Review by Vanessa Bormann.
Flavour (self-released). Review by Vanessa Bormann.
Visitor Jim (Fortune). Review by Marcel Feldmar.
Superconnector (Meteor). Review by Vanessa Bormann.
Just in time for the heavy metal Christmas shopping season, European author Alexandros Anesiadis delivers his latest — a thorough and riveting encyclopedia-type account of the hard-working DIY American bands that created an important underground music scene that’s well worth remembering.
In a beautiful testament to Peter Weir’s vision, the director’s 1985 classic, Witness, gets a fresh restoration from Arrow Video.
Ready for a cold one this season? We thought so! Enjoy, as Christopher Long reflects on his favorite VINYL releases of 2023 — an intoxicating (and satisfying) “six-pack,” to be sure.
Concert addict Jeremy Glazier talked with A.J. Croce near the beginning of his year-long Croce Plays Croce tour about embracing his father’s music and his own while honoring both their familial bond and shared influences.
For Lily and Generoso, 2023 was a fantastic year at the cinema! They select and review their ten favorite films, six supplemental features, and one extraordinary repertory release seen at microcinemas, archives, and festivals.
The hidden gem of the French New Wave, Le Combat Dans L’île gets a lovely Blu-ray from Radiance Films.
This fall, Ani DiFranco brought new Righteous Babe labelmate Kristen Ford to Iowa City, where Jeremy Glazier enjoyed an incredible evening of artistry.
This week Christopher Long grabs a bag of bargain vinyl from a flea market in Mount Dora, Florida — including You’re Never Alone with a Schizophrenic, the classic 1979 LP from Ian Hunter.
Bob Pomeroy gets into four Radio Rarities from producer Zev Feldman for Record Store Day with great jazz recordings from Wes Montgomery, Les McCann, Cal Tjader, and Ahmad Jamal.
Bob Pomeroy digs into Un “Sung Stories” (1986, Liberation Hall), Blasters’ frontman Phil Alvin’s American Roots collaboration with Sun Ra and his Arkestra, the Dirty Dozen Brass Band, and New Orleans saxman Lee Allen.