Tookah (Rough Trade US). Review by Rose Petralia.
Lustre (Nice Music Group). Review by Sean Slone.
Urban Angel (Dorado). Review by Aaron Shaul.
Push The Button (Virgin). Review by Andrew Ellis.
Prettier in the Dark (Fractured Discs). Review by Aaron Shaul.
Carthage EP (Low Valley Music). Review by Nicholas Plante.
modern rock radio,alternative,grunge,electronic,Carina Round,The Disconnection,Interscope,Aaron Shaul
The Disconnection (Interscope). Review by Aaron Shaul.
Rachael Yamagata (Private Music). Review by Aaron Shaul.
Leona Naess (Geffen). Review by Sean Slone.
Irish import Damien Rice plays to a sold-out crowd in Toronto, leaving the audience – and Margie Libling – speechless and mesmerized. Never before has an artist touched his fans as much as Damien Rice…
The Secret Sun (The Verve Music Group). Review by Margie Libling.
Pearl Harbor (Aquamarine). Review by Gail Worley.
Central Reservation (Arista). Review by brYan Tilford
Central Reservation (Arista). Review by Troy Mayhew
Central Reservation (Arista). Review by Phil Bailey
Recently on Ink 19...
Back in 2018, Lily and Generoso selected Adirley Queirós’s Once There Was Brasilia as a top ten film. That feature’s cinematographer, Joana Pimenta, has now co-directed with Queirós one of the most expansive political films we’ve seen this year, Dry Ground Burning. Lily and Generoso interviewed Pimenta at AFI Fest earlier this month.