Big Bad Voodoo Daddy
How Big Can You Get? A Tribute to Cab Calloway (Vanguard Records). Review by Tim Wardyn.
How Big Can You Get? A Tribute to Cab Calloway (Vanguard Records). Review by Tim Wardyn.
Today is Tomorrow’s Yesterday (Apex Fast). Review by Jen Cray.
Susquehanna (Space Age Bachelor Pad Records/In Music We Trust). Review by Tim Wardyn.
Nothing Personal (Warning Voice Music). Review by Kyrby Raine.
When the Jitterbug Bites (Boogietime). Review by David Lee Beowulf.
Linda & the Big King Jive Daddies (Slimstyle). Review by Julio Diaz.
Think the Cherry Poppin’ Daddies are all about the swing thing? Not so, says singer Steve Perry. As he tells Jason Feifer, the band is not only more diverse musically than that, they’re also more interested in spreading a message beyond the usual hipster daddy-o-isms.
Event Review by Roi J. Tamkin
Event Review by Gregory Schaefer
This week, cuddly curmudgeon Christopher Long finds himself feeling even older as he hobbles through a Florida flea market in pursuit of vinyl copies of the four infamous KISS solo albums — just in time to commemorate the set’s milestone 45th anniversary.
Starting with small-time jobs, two gangsters take over all the crime in Marseilles in this well-paced and entertaining French film. Carl F. Gauze reviews the freshly released Arrow Video Blu-ray edition of Borsalino (1970).
Aaron Tanner delivers 400 pages of visual delights from the ever-enigmatic band, The Residents, in The Residents Visual History Book: A Sight for Sore Eyes, Vol. 2.
Two teenage boys build a sexy computer girlfriend with an 8-bit computer… you know the story. Carl F. Gauze reviews Weird Science (1985), in a new 4K UHD Blu-ray release from Arrow Films.
Cauldron Films’ new UHD/Blu-ray release of Lucio Fulci’s City of the Living Dead (1980) preserves one of the best Italian horror films, according to Phil Bailey.
Marleen Gorris’s first theatrical feature is a potent feminist look at the easily disposable lives of sex workers in Amsterdam. Phil Bailey reviews Broken Mirrors.
Late bloomer Tony Bowman spins a tale of past decades with a Jimmy Buffett soundtrack.