Dark Fire Heresy (TRPTK). Review by Steven Cruse.

Hailing from the southwest of France, The Llamps build on a sound that’s equal parts New York City grit, San Francisco psychedelia, and spaghetti Western twang, which makes for a pan-global main dish.

Radiation (Celebrity Lifestyle). Review by Aaron Shaul.

Dandelion Gum (Graveface). Review by Aaron Shaul.

The House of Apples & Eyeballs (Graveface). Review by Aaron Shaul.

Mr. Spookhouse’s Pink House (Quite Scientific). Review by Aaron Shaul.

Guerolito (Interscope). Review by Ian Koss.

Afterhours 2 (Global Underground). Review by Kiran Aditham.

Start A People (Graveface Records). Review by Matthew Moyer.

Don’t Drink His Blood (Temporary Residence). Review by Aaron Shaul.

Go Slowly All the Way Round the Outside (Second Nature). Review by Aaron Shaul.

“Melodic with a touch of groove and an anemic, very white approach to the vocals, but still soulful.” Gail Worley talks to Johnny Marr, currently of The Healers and formerly of the Smiths, and manages to keep it together. Mostly.

Up In Flames (Domino). Review by Stein Haukland.

Come Here When You Sleepwalk (Mush Records). Review by Kiran Aditham.

The Execution of All Things (Saddle Creek). Review by Aaron Shaul.

Soundtrack to a Film by Lynne Ramsay (Warp). Review by Andy Paulo.

Start Breaking My Heart (Domino). Review by Michel Murakami.

Touching Down (Full Cycle). Review by Matt Cibula.

Parts 01, 02 & 03 (Rephlex). Review by Stein Haukland.

The Remixes (Carpark). Review by Christopher R. Weingarten.