Blood Lemon
Blood Lemon. Review by Scott Adams.
Tag: Built to Spill
Mixtape 133 :: Waba Duba
Not unlike fine Swiss clockwork, the duo that calls themselves Yello have been ticking for four decades without missing a beat.
Mixtape 132 :: Holiday
The Just Joans keep it in the family, and they keep it fairly civil, covering their lethally caustic Scottish wit in a layer of pleasant pop.
Mixtape 121 :: So We Won’t Forget
The world of Khruangbin is made up of velvet sunsets, shimmering dunes, and cool river rocks. There’s also a guitar, some drums, and a bass. And lately, vocals.
Mixtape 119 :: J Terrapin
Jade Hairpins don’t care about your repetitive song structures, man. That’s not how you cram five albums’ worth of material into less than forty minutes.
Mixtape 116 :: Hard To Explain
Coriky is three musicians crumpling up their resumes, throwing them to the floor, and showing you exactly what they can do.
Built to Spill
Built to Spill keeps conversation to a minimum as they rock Athens. Roi Tamkin relates.
The See
Pretending and Ending. Review by Carl F Gauze.
Pitchfork Music Festival 2009
For its fourth year the Pitchfork Music Festival proves to Chris Catania, and about 20,000 fans, that it can deliver the goods as well as the big guys.
Robert Pollard
Normal Happiness (Merge). Review by Aaron Shaul.
Troubled Hubble
Making Beds in a Burning House (Lookout Records). Review by Sean Slone.
Tobin Sprout
Live at the Horseshoe Tavern (Wigwam). Review by Aaron Shaul.
Say Anything
…is a Real Boy (Doghouse). Review by Daniel Mitchell.
Moron Parade
Dark Nights: Knife City (ParadeCo Records). Review by Carl F Gauze.
Brad Byrd
Andrew Ellis finds out the frustrations and joys Brad Byrd experiences in writing, producing, and releasing his music independently.
Caustic Resin
Keep On Truckin’ (Up Records). Review by Daniel Mitchell.
Art Of Fighting
Wires (3 Beads of Sweat). Review by Stein Haukland.
Kinski
Semaphore EP (Sub Pop). Review by Eric J. Iannelli.
Suntan
Suntan EP (Kimchee). Review by Daniel Mitchell.
Serene
Serene (Arena Rock). Review by Stein Haukland.
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