Doug Kershaw took his Cajun music from the bayou to stardom, but it wasn’t an easy trip.
Blood Moon (Sinking City Records). Review by Bob Pomeroy.
Kalenda (Rice Pump Records). Review by James Mann.
It’s Country. Review by Carl F Gauze.
Créatures (Rhyme and Reason). Review by Bob Pomeroy.
Sweet Crude brought a bit of New Orleans to Tampa. Bob Pomeroy catches up with the group.
Critters. Review by Bob Pomeroy.
Meet Me at Mardi Gras (Rounder Records). Review by James Mann.
My Suitcase is Always Packed (Sugar Hill). Review by Carl F Gauze
Homage Au Passé (Lionsgate). Review by Carl F Gauze.
Brother to the Blues (Telarc). Review by Joe Frietze.
The Whole Enchilada (Luna Chica Records). Review by Carl F Gauze.
The Sea Saint Sessions (Telarc). Review by Joe Frietze.
Multiple generations, from Boomers to Zoomers, joined together with the band to sing and scream in Memphis and it was a blast. Pete Townshend and Roger Daltrey, along with their normal touring band, were joined by local orchestral musicians on stage for a two-hour show, bringing a range of classic songs to the expectant masses.
MXTX: A Cross-Border Exchange (Six Degrees Records). Review by Bob Pomeroy.
The rains are coming, but the shows must go on!
Strange Mornings in the Garden (American Laundromat Records). Review by Laura Pontillo.
More theater hi-jinx from Orlando International Fringe Theatre Festival in the muggy month of May, from Carl F. Gauze.
Tommy Emmanuel and opener Gareth Pearson captivated Orlando with a stunning acoustic performance. Michelle Wilson has the full recap.
Here’s the straight skinny on day two of the Orlando International Fringe Theatre Festival, from Carl F. Gauze.
Marion Davies shines in this restored silent comedy classic from Undercrank Productions. Review by Phil Bailey.
The Orlando International Fringe Theatre Festival is back to full throttle in 2022. Carl F. Gauze has some sneak peeks.
Hard Luck and a Woman (Justin Golden Music). Review by Bob Pomeroy.