Alabama Slim
The Parlor (Cornelius Chapel/Music Maker Relief Foundation). Review by James Mann.
The Parlor (Cornelius Chapel/Music Maker Relief Foundation). Review by James Mann.
Unfortunate Point of View. Review by James Mann.
Give It Back To You (Concord Music Group). Review by James Mann.
The Blues Came Callin’ (Provogue/Mascot Label Group). Review by Michelle Wilson.
Full Circle (Ruf Records). Review by Sean Slone.
Canned Heat 1969-1999: The Boogie House Tapes Volume 2 (Ruf Records). Review by Carl F Gauze.
Outsight Ambiances Magnetiques And Other Blips Tom “Tearaway” Schulte brings the Outsight faithful an assessment of the Ambiances Magnetique label, perhaps the most tightly compressed country music rundown ever, and a legion of cd reviews from the man who has everything. No seriously, it looks like he’s covered everything.
Legitimate hippies playing legitimate blues, Canned Heat has performed everyw…
Prior to hearing this album, the only Canned Heat material I was familiar wit…
Boogie 2000 (Two Goats Entertainment). Review by James Mann
The Mighty Warriors: Live in Antwerp (Elemental Music). Review by Bob Pomeroy.
40 years on, Michael Gira and Swans continue to bring a ritualistic experience that needs to be heard in order to be believed. Featured photo by Reese Cann.
The biggest astronomical event of the decade coincides with a long overdue trip to Austin, Texas.
Sofia and Louise have just graduated nursing school. They have no idea what they’ve signed up for.
At the Showcase: Live in Chicago 1976/1977 (Jazz Detective). Review by Bob Pomeroy.
Atlantis Lullaby: The Concert in Avignon (Elemental Music). Review by Bob Pomeroy.
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.