Mixtape 148 :: Strange To Explain
If I could use synesthesia to describe Woods’ music, I would say it sounds like sparkling pastel day-go colors.
If I could use synesthesia to describe Woods’ music, I would say it sounds like sparkling pastel day-go colors.
Travels (Hitchhike Records). Review by James Mann.
The People Need Light (Compass Records). Review by James Mann.
The Goat Rodeo Sessions (Sony Music). Review by James Mann.
For a brief while, James Mann puts the old 78s down and clues us in on those few things he liked in 2003 that weren’t around in 2002.
Alfred Sole’s Alice, Sweet Alice is a very Generation X movie, mirroring our 1970s lives in important and disturbing ways. Phil Bailey reviews the new 4K UHD version.
In 1977, Here at Last… Bee Gees …Live cemented the Bee Gees’ budding reputation as world-class master songsmiths. 46 years later, longtime Ink 19 writer Christopher Long nabs a well-loved $6 vinyl copy at a Florida flea market — replacing his long-loved and lost-to-the-ages original record.
All-American music legend Bonnie Raitt played the Riverwind Casino Showplace Theatre in Norman, Oklahoma, recently while on her Live 2025 international concert tour. Longtime Ink 19 contributor Christopher Long was there and got the goods.
“Little Dreaming” (Darkroom / Polydor / Capitol). Review by Danielle Holian.
Everything Changes, Everything Stays the Same (Tapete Records). Review by Peter Lindblad.
Stories I Only Tell My Friends (Blackbird Records). Review by Bob Pomeroy.
Bone Bells (Pyroclastic Records). Review by Bob Pomeroy.