The Black Dirt Sessions (Partisan Records). Review by Carl F Gauze.
Jake Brown takes advantage of the 25th anniversary of Def Jam Records to present music fans with his appreciation of its co-founder, Rick Rubin.
In light of the recent charges levied against Jammie Thomas-Rasset in the RIAA’s case against her, we’ve unearthed this review on Steal This Music, a book concerning the history of copyright in music.
Vs. Children (Tomlab). Review by Matthew Moyer.
When electro-pop band Uh Huh Her brought its madly selling-out tour to Orlando, Jen Cray not only caught the live show, but also sat down with the girls to discuss touring before the debut album is even released.
The Good Girl Blues (Cadabra Records). Review by James Mann.
Boy in Da Corner (Matador Records, XL Recordings ). Review by Van Sias.
The Deuce (Silverback). Review by Bill Campbell.
Ten Years and Gunnin’ (Columbia). Review by Rob Walsh.
The EP (Etheric). Review by Stein Haukland.
Man Vs. Machine (Columbia). Review by Rob Walsh.
Truthfully Speaking (Aftermath / Interscope). Review by Bill Campbell.
Pain (MCA). Review by Bill Campbell.
Bang Or Ball (Cash Money / Universal). Review by Bill Campbell.
The Original Motion Picture Soundtrack (Aftermath / Doggystyle / Interscope). Review by Bill Campbell.
Devil’s Night (Shady/Interscope). Review by Julio Diaz.
Multiple generations, from Boomers to Zoomers, joined together with the band to sing and scream in Memphis and it was a blast. Pete Townshend and Roger Daltrey, along with their normal touring band, were joined by local orchestral musicians on stage for a two-hour show, bringing a range of classic songs to the expectant masses.
MXTX: A Cross-Border Exchange (Six Degrees Records). Review by Bob Pomeroy.
The rains are coming, but the shows must go on!
Strange Mornings in the Garden (American Laundromat Records). Review by Laura Pontillo.
More theater hi-jinx from Orlando International Fringe Theatre Festival in the muggy month of May, from Carl F. Gauze.
Tommy Emmanuel and opener Gareth Pearson captivated Orlando with a stunning acoustic performance. Michelle Wilson has the full recap.
Here’s the straight skinny on day two of the Orlando International Fringe Theatre Festival, from Carl F. Gauze.
Marion Davies shines in this restored silent comedy classic from Undercrank Productions. Review by Phil Bailey.
The Orlando International Fringe Theatre Festival is back to full throttle in 2022. Carl F. Gauze has some sneak peeks.
Hard Luck and a Woman (Justin Golden Music). Review by Bob Pomeroy.