Electric Frankenstein
Super Kool (Morpheus Records). Review by Carl F Gauze.
Super Kool (Morpheus Records). Review by Carl F Gauze.
Tom Schulte delivers a healthy megadose of news and reviews in this month’s Outsight.
Like its namesake, Electric Frankenstein is an implacable juggernaut, conquering the world one lurching step at a time. Vinnie Apicella takes a look at the mind behind the machine in an interview with Sal Canzonieri.
Welcome To Splitsville! (The Music Cartel). Review by Kurt Channing.
Various Artists (TKO). Review by Brian Kruger.
Kill the Dreamer’s Dream (Alternative Tentacles). Review by Brian Kruger.
The Time is Now, Conquers The World, and Sick Songs (One Foot). Review by Brian Kruger.
Annie’s Grave (Victory). Review by Nathan T. Birk.
How to Make A Monster (Victory). Review by David Lee Beowülf
I Was a Teenage Shutdown (Estrus). Review by David Lee Beowülf
How I Rose From the Dead in My Spare Time (And So Can You) (Onefoot). Review by David Lee Beowülf
For the tenth straight year, Lily and Generoso proudly present their coverage of AFI Fest, Los Angeles’s premiere film festival which took place in Hollywood this October.
Featured photo courtesy of AFI Fest.
The Best of hackedepicciotto (Live in Napoli) (Mute). Review by Peter Lindblad.
Ink 19’s Randy Radic spoke with C.L. Turner of the band Arctic Wave to discuss the latest single, inspirations, and next directions.
Featured image courtesy of Present PR
Radiance Films resurrects a trio of ghostly mid-century Japanese films for their Daiei Gothic: Japanese Ghost Stories Blu-ray box set.
Haunted Underground Classics (RockBeat Records). Review by Charles DJ Deppner.