Committed to Rock
Committed To Rock (Time Life/BMG). Review by Andrew Ellis.
Committed To Rock (Time Life/BMG). Review by Andrew Ellis.
Committed To Rock (Time Life/BMG). Review by Andrew Ellis.
Think Tank (Virgin). Review by Aaron Shaul.
Music for the Maases 2 (Hope / Kinetic). Review by Stein Haukland.
The Dope King (Crack Nation). Review by Bill Campbell.
Live on Brighton Beach (Ministry Of Sound). Review by Anton Wagner.
All Star Breakbeats (Hypnotic). Review by Stein Haukland.
Don’t Be Afraid of Love (Skint / Columbia). Review by Christopher R. Weingarten.
Bust A Groove (Hypnotic). Review by Vanessa Bormann.
Thank You For Giving Me Your Valuable Time (EMI). Review by Stein Haukland.
The Human Condition (Om). Review by Bill Campbell
Star 69 – What the F**k (Astralwerks). Review by Ian Koss.
Norman Cook/Various Artists (Restless). Review by Anton Warner.
Various Sellouts (UTV). Review by Ian Koss.
Stripwax :: Fatboy Slim (Ink 19, December 2000)
Halfway is an apt title of the newest Fatboy Slim release. The tracks …
Better Living Through Chemistry (Astralwerks). Review by Carole Jaszewski
Alfred Sole’s Alice, Sweet Alice is a very Generation X movie, mirroring our 1970s lives in important and disturbing ways. Phil Bailey reviews the new 4K UHD version.
In 1977, Here at Last… Bee Gees …Live cemented the Bee Gees’ budding reputation as world-class master songsmiths. 46 years later, longtime Ink 19 writer Christopher Long nabs a well-loved $6 vinyl copy at a Florida flea market — replacing his long-loved and lost-to-the-ages original record.
All-American music legend Bonnie Raitt played the Riverwind Casino Showplace Theatre in Norman, Oklahoma, recently while on her Live 2025 international concert tour. Longtime Ink 19 contributor Christopher Long was there and got the goods.
“Little Dreaming” (Darkroom / Polydor / Capitol). Review by Danielle Holian.
Everything Changes, Everything Stays the Same (Tapete Records). Review by Peter Lindblad.
Stories I Only Tell My Friends (Blackbird Records). Review by Bob Pomeroy.
Bone Bells (Pyroclastic Records). Review by Bob Pomeroy.