Time Between: My Life as a Byrd, Burrito Brother, and Beyond
The man who started it all, Chris Hillman, recounts his time as a Byrd, a Burrito Brother, and more in this fascinating memoir. James Mann reviews.
The man who started it all, Chris Hillman, recounts his time as a Byrd, a Burrito Brother, and more in this fascinating memoir. James Mann reviews.
The Asylum Years (Omnivore Recordings). Review by James Mann.
Picture of You (Let It Roll Records). Review by James Mann.
Town + Country ( Omnivore Recordings). Review by James Mann.
Great Chicago Fire (Bloodshot Records). Review by James Mann.
Shoulda Been Gold (Collectors’ Choice). Review by James Mann.
Your Body Is An Outlaw (Collectors’ Choice Music). Review by Carl F Gauze.
The Whole Enchilada (Luna Chica Records). Review by Carl F Gauze.
Twice (Rough Trade). Review by Sean Slone.
Free Expression (Action Musik). Review by Sean Slone.
Stories Often Told (Yep Roc). Review by Sean Slone.
Make the Robot Cowboys Cry EP (Sub Pop). Review by Anton Wagner.
Once We Were Trees (Sub Pop). Review by Sean Slone.
“They didn’t sell many records in their time, but everyone who bought one sta…
A Murmuration of Capitalist Bees (Expert Work Records, Dipterid Records). Review by Peter Lindblad.
Author and longtime Ink 19 contributor Christopher Long kicks off the 2025 edition of his popular weekly Garage Sale Vinyl series with a bona fide banger: the blues-soaked, whisky-injected, self-titled 1971 debut record from Bonnie Raitt.
Hear My Song: The Collection, 1966 - 1995 (Madfish Music). Review by Bob Pomeroy.
Seijun Suzuki’s 1958 widescreen film noir feature, Underworld Beauty, comes to Blu-ray.
Phil Bailey reviews quirky sexploitation film Facets of Love (1973), a saucy Hong Kong costume drama from director Li Hsang-han of kung fu powerhouse Shaw Brothers, now out on Blu-ray.
Longtime Ink 19 staff writer Christopher Long spent almost the entire year consuming and writing about new music. Here are his personal Dirty Dozen: the 12 records that made his heart the happiest in 2024.
Stormchaser (Inebriated Music / Anthem Entertainment). Review by Christopher Long.
Let It Rock: Live from the San Francisco Civic Center 1980 (Liberation Hall). Review by Bob Pomeroy.
Lily and Generoso wrap an outstanding year at the cinema, with capsule reviews of ten favorite films, eight supplemental features, and one outstanding repertory release seen at microcinemas, archives, and festivals in 2024.