Mixtape 147 :: Anything For Boo
There’s no detail too small or scar too deep for Eels to pick up and examine in a wry musical light.
There’s no detail too small or scar too deep for Eels to pick up and examine in a wry musical light.
Heartbreak Pass (New West Records). Review by James Mann.
A Wasteland Companion (Merge Records). Review by Will Bernstein.
To Go Home (Merge). Review by Aaron Shaul.
Is All Over the Map (Thrill Jockey). Review by Aaron Shaul.
The Death of Last Year’s Man EP and Tableland (Emperor Jones). Review by Matthew Moyer.
Hisser (OwOm/V2). Review by Ian Koss
A former convict returns to London to avenge his former enemies and save his daughter. Carl F. Gauze reviews the Theater West End production of Sweeney Todd.
This week, cuddly curmudgeon Christopher Long finds himself feeling even older as he hobbles through a Florida flea market in pursuit of vinyl copies of the four infamous KISS solo albums — just in time to commemorate the set’s milestone 45th anniversary.
Starting with small-time jobs, two gangsters take over all the crime in Marseilles in this well-paced and entertaining French film. Carl F. Gauze reviews the freshly released Arrow Video Blu-ray edition of Borsalino (1970).
Aaron Tanner delivers 400 pages of visual delights from the ever-enigmatic band, The Residents, in The Residents Visual History Book: A Sight for Sore Eyes, Vol. 2.
Two teenage boys build a sexy computer girlfriend with an 8-bit computer… you know the story. Carl F. Gauze reviews Weird Science (1985), in a new 4K UHD Blu-ray release from Arrow Films.
Cauldron Films’ new UHD/Blu-ray release of Lucio Fulci’s City of the Living Dead (1980) preserves one of the best Italian horror films, according to Phil Bailey.
Marleen Gorris’s first theatrical feature is a potent feminist look at the easily disposable lives of sex workers in Amsterdam. Phil Bailey reviews Broken Mirrors.