• Wolf Ram Heart

    Wolf Ram Heart

    Betrayal of Hearts (Sovereign States). Review by Matthew Moyer.

  • Interpol


    Interpol brought School of Seven Bells along with them for a semi-annual date with their loyal Orlando fans — fans like Jen Cray.

  • Interpol


    Interpol have lost their enigmatic bass player, but not their ability to bring the cool to even the hottest summer night. Jen Cray lets loose with the coolest cats in Orlando.

  • Editors


    In This Light And On This Evening (Kitchenware Records). Review by Tim Wardyn.

  • Cold Cave

    Cold Cave

    Love Comes Close (Matador). Review by Kiran Aditham.

  • Julian Plenti

    Julian Plenti

    Julian Plenti is…Skyscraper (Matador). Review by Kiran Aditham.

  • Eulogies


    Here Anonymous (Dangerbird). Review by Jen Cray.

  • Steve Weinberger

    Steve Weinberger

    First-time author and rock-concert veteran Steve Weinberger has written perhaps the funniest overview of the mosh-pit population ever. Like a mad scientist, Weinberger categorizes and analyzes every species of concertgoer in No Air Guitar Allowed, painting them with deft satirical strokes and a surprisingly empathetic eye. Ink 19 and Weinberger discuss how he spent years of his life illustrating the differences between KISS and indie-rock fans.

  • The Walkup

    The Walkup

    Down On Pacific (Reynolds Recording Co.). Review by Jen Cray.

  • Zillionaire


    The Street Lights Have Been Turned Down (New Granada). Review by Aaron Shaul.

  • Stranded in Stereo

    Stranded in Stereo

    Volume 6 (Planetary Group LLC). Review by Tim Wardyn.

  • Editors


    Editors remind Orlando audiences that it was the UK that birthed their brand of darkly deep indie rock. Jen Cray couldn’t help but wonder if they were ripping off Joy Division, or Interpol’s interpretation of Joy Division.

  • For Against

    For Against

    In the Marshes (Words on Music). Review by Aaron Shaul.

  • Interpol


    Interpol may not be the most exciting live band on the planet, but Jen Cray is hooked on their music deeply enough to keep going back for more.

  • Interpol


    Our Love to Admire (Capitol). Review by Jen Cray.

  • She Wants Revenge

    She Wants Revenge

    She Wants Revenge (Geffen/Flawless Records). Review by Matthew Moyer.

  • Night Kills The Day

    Night Kills The Day

    New York’s Night Kills The Day draw influence from bands like Depeche Mode, the Cure and Pink Floyd. Their debut full length release, The Study of Man… And the Developed Shadow, is set for a March 2007 release on Score Records. Jen Cray spoke with bassist Timothy Falzone about his band that appears to be sitting on the doorstep of success.

  • The Robocop Kraus

    The Robocop Kraus

    They Think They Are The Robocop Kraus (Epitaph). Review by Aaron Shaul.

  • Aberdeen City

    Aberdeen City

    Ever heard of Aberdeen City or The Blue Van? Neither had Jen Cray, but if her predictions are correct, you soon will.

  • The Prime Movers

    The Prime Movers

    Museum (Birdcage). Review by Kyrby Raine.

Recently on Ink 19...

  • A Musical Manifesto for the Pandemic
    A Musical Manifesto for the Pandemic

    Robyn Hitchcock and the Egyptians Globe of Frogs helps Jeffrey Schweers endure the pandemic in another burst of Wax On!

  • Laion Roberto
    Laion Roberto

    A Taste for Mojo. Review by Stacey Zering.

  • Hinds

    The Prettiest Curse (Mom + Pop Records). Review by Bob Pomeroy.

  • Coriky

    Coriky (Dischord). Review by Scott Adams.

  • Sylvester

    Known for birthing two of the most iconic crossover anthems of the disco era -“You Make Me Feel (Mighty Real)” and “Dance (Disco Heat)” Sylvester’s sensational 1978 set, “Step II” has just been reborn, via Craft Recordings.

  • Teddy Thompson
    Teddy Thompson

    Heartbreaker Please (Thirty Tigers). Review by Carl F. Gauze.

  • Keri Johnson
    Keri Johnson

    Anyone. Review by Stacey Zering.

  • Liberté

    Generoso Fierro reviews Albert Serra’s new transgressive feature Liberté, winner of the Special Jury Prize at the 2019 Cannes Film Festival.

  • Junko Beat
    Junko Beat

    Satirifunk (Dumparade Records). Review by Bob Pomeroy.

  • Blood Tide
    Blood Tide

    Richard Jefferies classic looks like a new film in the Blu-ray reissue.