Moon Hooch
Live At the Cathedral ( Hornblow Recordings). Review by James Mann.
Live At the Cathedral ( Hornblow Recordings). Review by James Mann.
Zodiac (Metropolis Records). Review by Carl F Gauze.
Matthew Moyer believes that this new Lydia Lunch DVD retrospective provides a fine primer for a life well-lived on the fringes of art and expression.
The Pleasures of Schizophrenia (Rock Garden). Review by Carl F Gauze.
Sur Les Traces De Black Eskimo (Alien8). Review by Aaron Shaul.
Dune Phase (Gern Blandsten). Review by Aaron Shaul.
Smoke Signals (Skin Graft). Review by Aaron Shaul.
The Fish Needs A Bike - The Best of Blurt Volume 1 (Salamander Records). Review by Carl F Gauze.
Lost Light (K Records). Review by Matthew Moyer.
N’ecoutez pas (Constellation). Review by Aaron Shaul.
Wolves With Pretty Lips (Suicide Squeeze). Review by Aaron Shaul.
Ice Hatchets 7” (Gold Standard Laboratories). Review by Aaron Shaul.
Point Line Plane (Xeroid). Review by Aaron Shaul.
1978-1981 (Acute). Review by Bryan Slipperfield.
Twenty-three years after his Sonic Recipe for Love, Steve Stav writes a playlist for the brokenhearted victims of another corporate holiday: the first Valentine’s Day of the second Trump era.
Phil Bailey reviews Rampo Noir, a four part, surreal horror anthology film based on the works of Japan’s horror legend, Edogawa Rampo.
In this latest installment of his popular weekly series, Christopher Long finds himself dumpster diving at a groovy music joint in Oklahoma City, where he scores a bagful of treasure for UNDER $20 — including a well-cared-for $3 vinyl copy of Life for the Taking, the platinum-selling 1978 sophomore set from Eddie Money.
Ink 19’s Liz Weiss spends an intimate evening with Gregory Alan Isakov.
Sharon Van Etten & The Attachment Theory (Jagjaguwar). Review by Peter Lindblad.
This week, Christopher Long goes “gaga” over discovering an ’80s treasure: an OG vinyl copy of Spring Session M, the timeless 1982 classic from Missing Persons — for just six bucks!
Both bold experiment and colossal failure in the 1960s, Esperanto language art house horror film Incubus returns with pre-_Star Trek_ William Shatner to claim a perhaps more serious audience.
You Can’t Tell Me I’m Not What I Used To Be (North & Left Records). Review by Randy Radic.