Blessed
iii (Flemish Eye). Review by Scott Adams.
iii (Flemish Eye). Review by Scott Adams.
The Floating Hand (Zum). Review by Scott Adams.
The Lords of the New Church Special Edition (Blixa Sounds). Review by Scott Adams.
Complete Studio Recordings, Inmates in Images (Dais Records). Review by Scott Adams.
Back to the Woods (Dais Records). Review by Scott Adams.
Sanctuary: The Complete Discography (Sacred Bones). Review by Matthew Moyer.
Absolute Dissent (Spinefarm/Universal). Review by Matthew Moyer.
Dog Ear Days. Review by Matthew Moyer.
The Day The Country Died, EP/LP, From The Cradle To The Grave, Rats/Time Flies, Worlds Apart, 29:29 Split Vision (Bluurg Records). Review by Scott Adams.
Six (Crucial Blast). Review by Matthew Moyer.
Cover Up (Megaforce/13th Planet). Review by Kiran Aditham.
Anthology (Candlelight). Review by Matthew Moyer.
Something Quite Peculiar (Science). Review by Jen Cray.
Cocked and Loaded (13th Planet/Megaforce). Review by Kiran Aditham.
An impressive DVD compendium captures the dark theatrics of goth pioneers Fields of the Nephilim. Remember them like this, Matthew Moyer advises.
The Combined Stupidity of Spiteful Men (House of Stairs). Review by Carl F Gauze.
Chaos UK (Dead Ringer / Candlelight). Review by Stein Haukland.
Animositisomina (Sanctuary). Review by Dan Stapleton.
Strategies Against Architecture III (1991-2001) (Mute). Review by Kiran Aditham.
For the tenth straight year, Lily and Generoso proudly present their coverage of AFI Fest, Los Angeles’s premiere film festival which took place in Hollywood this October.
Featured photo courtesy of AFI Fest.
The Best of hackedepicciotto (Live in Napoli) (Mute). Review by Peter Lindblad.
Ink 19’s Randy Radic spoke with C.L. Turner of the band Arctic Wave to discuss the latest single, inspirations, and next directions.
Featured image courtesy of Present PR
Radiance Films resurrects a trio of ghostly mid-century Japanese films for their Daiei Gothic: Japanese Ghost Stories Blu-ray box set.
Haunted Underground Classics (RockBeat Records). Review by Charles DJ Deppner.