Mixtape 134 :: Identity Theft
Taking their name from Australian slang for something not good, The Chats are here to strike fear in the hearts of parents and guidance counselors across the globe.
Taking their name from Australian slang for something not good, The Chats are here to strike fear in the hearts of parents and guidance counselors across the globe.
Hey Joe Opus/Red Meat (Trance Blues Festival Records). Review by Michelle Wilson.
A Tribute to Nilsson Volume 1 (Royal Potato Family). Review by James Mann.
The Avett Brothers don’t just appeal to hippies anymore. Their recent Orlando show showcased a genre-defying band with talent beyond their numbers. Jen Cray is a newly born fan.
The return of anti-folk master Paleface piqued the interest of few in Orlando, but those who did turn out for his intimate, late-night performance on a frigid winter night were treated to a rare moment of musical beauty.
Very few musicians can stun Jen Cray stupid with the simple inflections of their voices and the subtle strumming of their guitars. Langhorne Slim and the War Eagles did just that when they gifted a very intimate gathering of us at The Social in Orlando with a performance to be envied by those who missed it.
Langhorne Slim (Kemado). Review by Jen Cray.
Twenty-three years after his Sonic Recipe for Love, Steve Stav writes a playlist for the brokenhearted victims of another corporate holiday: the first Valentine’s Day of the second Trump era.
Phil Bailey reviews Rampo Noir, a four part, surreal horror anthology film based on the works of Japan’s horror legend, Edogawa Rampo.
In this latest installment of his popular weekly series, Christopher Long finds himself dumpster diving at a groovy music joint in Oklahoma City, where he scores a bagful of treasure for UNDER $20 — including a well-cared-for $3 vinyl copy of Life for the Taking, the platinum-selling 1978 sophomore set from Eddie Money.
Ink 19’s Liz Weiss spends an intimate evening with Gregory Alan Isakov.
Sharon Van Etten & The Attachment Theory (Jagjaguwar). Review by Peter Lindblad.
This week, Christopher Long goes “gaga” over discovering an ’80s treasure: an OG vinyl copy of Spring Session M, the timeless 1982 classic from Missing Persons — for just six bucks!
Both bold experiment and colossal failure in the 1960s, Esperanto language art house horror film Incubus returns with pre-_Star Trek_ William Shatner to claim a perhaps more serious audience.
You Can’t Tell Me I’m Not What I Used To Be (North & Left Records). Review by Randy Radic.