Nuclear Options
Shelton Hull sees dire consequences resulting from our Administration’s rumblings about war with Iran, both at home and abroad. Here’s the real deal.
Shelton Hull sees dire consequences resulting from our Administration’s rumblings about war with Iran, both at home and abroad. Here’s the real deal.
Universe and Villa (March). Review by Aaron Shaul.
Beautiful Soup (March). Review by Stein Haukland.
Beautiful Soup (March). Review by Stein Haukland.
Available Light (March). Review by Stein Haukland.
Welcome to the Jungle (March). Review by Stein Haukland.
After Mathematics (March). Review by Stein Haukland.
Wild Billy Childish at the 12 Bar Club in London, UK on March 10, 2002; and Buff Medways at the Dirty Water Club in London, UK on March 29, 2002. Concerts review by Matthew Moyer. Photos by Heather Lorusso.
Tall Dark Hill (March). Review by Jason Feifer.
The Negatives (March). Review by Julio Diaz.
With so many indie pop bands turning to the synth-heavy, lush-yet-sparse soun…
Barcelona is a foursome that sings about UNIX, phone phreaking, and the intri…
Last year, Barcelona’s
Simon Basic (March). Review by Anton Wagner
Kleenexgirlwonder (March). Review by Kurt Channing
Various Francophiles (March). Review by Kurt Channing
Your Future (March). Review by Anton Warner
The Friend I Once Had (March). Review by Anton Wagner
Review by Kurt Channing
1 (March). Review by Jason Plender
For the tenth straight year, Lily and Generoso proudly present their coverage of AFI Fest, Los Angeles’s premiere film festival which took place in Hollywood this October.
Featured photo courtesy of AFI Fest.
The Best of hackedepicciotto (Live in Napoli) (Mute). Review by Peter Lindblad.
Ink 19’s Randy Radic spoke with C.L. Turner of the band Arctic Wave to discuss the latest single, inspirations, and next directions.
Featured image courtesy of Present PR
Radiance Films resurrects a trio of ghostly mid-century Japanese films for their Daiei Gothic: Japanese Ghost Stories Blu-ray box set.
Haunted Underground Classics (RockBeat Records). Review by Charles DJ Deppner.