Mary Prankster
Thickly Settled . Review by Phil Bailey.
Thickly Settled . Review by Phil Bailey.
Tell Your Friends (Palace Coup). Review by Phil Bailey.
Mary Prankster, with The Moto-Litas and The Features at The Earl in Atlanta, GA on June 23, 2001. Concert review and photos by Phil Bailey.
aSinger/songwriter Mary Prankster may have taken her name from Ken Kesey, but her raw, explicit, and clever lyrics are all her own. Phil Bailey catches up with the woman behind Blue Skies Over Dundalk and the brand new Roulette Girl.
Roulette Girl (Fowl). Review by Phil Bailey
Blue Skies over Dundalk (Fowl). Review by Phil Bailey
Lilys’ East Coast tour begins February 10, 2023, and will include shows in Philadelphia, Baltimore, New York City, and more.
Soul’d Out: The Complete Wattstax Collection overwhelms Carl F. Gauze with 12 music CDs reprising the 1972 benefit concert to rebuild Watts, Los Angeles, seven years after the riot.
OG Skate Rock Band JFA Is Back With Its First Studio Album In Way Too Long, The Last Ride, out May 2023.
Elizabeth Moen may have started life with Midwest roots, but the singer-songwriter’s incredible talent has taken her to the international stage. Jeremy Glazier talks with the Iowa songbird on today’s episode.
Rifling through a boxful of ravaged old records, Christopher Long locates a flea market LP copy of the Ozark Mountain Daredevils Don’t Look Down — for a quarter — and speaks with the band’s co-founding bassist, Michael “Supe” Granda, about his amazing discovery.
Winter Park Playhouse regular Carl F. Gauze enjoys Tales from a Hopeful Romantic, a musically outstanding love story, courtesy of spotlight chanteuse Tay Anderson.
Blood, guts, and kicking butt in France — it’s the age-old story of Shakespeare. Carl F. Gauze once again enjoys the salacious violence and complicated plot points of Henry V, in the moody dark of Orlando Shakes.
Infidelity, agoraphobia and Ice Capades. Carl F. Gauze attempts to find an answer to the question “How Florida can you get?” in The Great American Trailer Park Musical at Theater West End.
Jeremy Glazier catches Ian Noe at the Rust Belt, where they discuss putting Between the Country together, some of the influences that affect Noe’s songwriting, and his dislike of EPs.