Tag: Matthew Moyer

Black Rio 2

Music Reviews

Original Samba Soul 1971-1979 (Strut). Review by Matthew Moyer.

Blacklist

Music Reviews

Midnight of the Century (Wierd). Review by Matthew Moyer.

Dolly Parton

Music Reviews

Backwoods Barbie Collector’s Edition (Dolly). Review by Matthew Moyer.

Lullatone

Music Reviews

We Will Rock You… To Sleep (Audio Dregs). Review by Matthew Moyer.

Sunn0)))

Music Reviews

Monoliths and Dimensions (Southern Lord). Review by Matthew Moyer.

Infintesmal

Music Reviews

The Better Jacksonville Plan (Infintesmal). Review by Matthew Moyer.

Grunge Is Dead

Print Reviews

Greg Prato’s new oral history of Seattle music (or “grunge” to you and me, bucko) strikes the right balance between bratty humor and pathos, thinks Matthew Moyer. And was the bassist from Guns N’ Roses really in the Fastbacks? Read on,,,

Absu

Music Reviews

Absu (Candlelight). Review by Matthew Moyer.

George Jones

Music Reviews

A Picture of Me - Nothing Ever Hurt Me (American Beat Records). Review by Matthew Moyer.

Dark Castle

Music Reviews

Spirited Migration (At A Loss Recordings). Review by Matthew Moyer.

Chairlift

Music Reviews

Does You Inspire You (Columbia). Review by Matthew Moyer.

Ear Pwr

Music Reviews

Super Animal Brothers III (Car Park). Review by Matthew Moyer.

Leif Edling

Music Reviews

Songs of Torment, Songs of Joy (Candlelight Records). Review by Matthew Moyer.

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MIDGE URE

MIDGE URE

Event Reviews

Midge Ure brings his Band In A Box tour to historic Mount Dora, Florida, where Michelle Wilson revels in ’80s nostalgia.

Matt and Mara

Matt and Mara

Screen Reviews

Lily and Generoso review director Kazik Radwanski’s poignant comedic drama Matt and Mara, which explores the emotionally nuanced relationship between two longtime friends.

Tattooed Life

Tattooed Life

Screen Reviews

Sejin Suzuki’s unorthodox Yakuza film, Tattooed Life (1965) makes its Blu-ray debut from Radiance Films.

Galaxie 500

Galaxie 500

Music Reviews

Uncollected Noise New York ‘88-‘90 (Silver Current Records / 20-20-20). Review by Steven Cruse.