Pop-collagist/Party-Starter Girl Talk (a.k.a. Gregg Gillis ) talks to Omar de la Rosa about sampling, doing remixes versus Girl Talk originals, the like-minded performance stylings of tourmate Dan Deacon, and Gregg’s favorite mixed drink.
Storm the Studio R.M.X.S. (Tino Corp.). Review by Stein Haukland.
Sun Pandamonium (Mego). Review by Denzel Foster.
Satans Tornade (Warp). Review by Stein Haukland.
Sheer Hellish Miasma (Mego). Review by Aldo McFurtive.
Strange Old Brew (Mercenary Musik / World War III). Review by Matthew Moyer.
Kevin Blechdom at The Cow Haus in Tallahassee, FL on May 22, 2002. Concert review by Matthew Moyer. Photos by Heather Lorusso.
Memories (Triumvirate). Review by Matthew Moyer.
Starting an indie label is a risky prospect. Being able to sell your stuff at an affordable price and put out all the records you want to is even tougher. So how does the eclectic and intriguing Blackbean and Placenta Tape Club label make it work? Mike Landucci reveals some of the secrets of his success to Andrew Chadwick.
Column by David Lee Beowülf
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Small-town Grand Junction, Colorado, comes out in droves to Slamming Bricks 2023, as our beloved queer community event eclipses its beginnings to command its largest audience yet. Liz Weiss reviews the performance, a bittersweet farewell both to and from the Grand Valley’s most mouthy rebel organizer, Caleb Ferganchick.
This week, Christopher Long nearly fights a famed rock star in defense of his 1970s pin-up princess. To prove his point, Chris goes into his own garage and digs out his musty vinyl copy of the self-titled 1972 alt. country classic from Linda Ronstadt.
This week, cuddly curmudgeon Christopher Long finds himself feeling even older as he hobbles through a Florida flea market in pursuit of vinyl copies of the four infamous KISS solo albums — just in time to commemorate the set’s milestone 45th anniversary.