Girl Talk
Pop-collagist/Party-Starter Girl Talk (a.k.a. Gregg Gillis ) talks to Omar de la Rosa about sampling, doing remixes versus Girl Talk originals, the like-minded performance stylings of tourmate Dan Deacon, and Gregg’s favorite mixed drink.
Pop-collagist/Party-Starter Girl Talk (a.k.a. Gregg Gillis ) talks to Omar de la Rosa about sampling, doing remixes versus Girl Talk originals, the like-minded performance stylings of tourmate Dan Deacon, and Gregg’s favorite mixed drink.
Storm the Studio R.M.X.S. (Tino Corp.). Review by Stein Haukland.
Sun Pandamonium (Mego). Review by Denzel Foster.
Satans Tornade (Warp). Review by Stein Haukland.
Sheer Hellish Miasma (Mego). Review by Aldo McFurtive.
Strange Old Brew (Mercenary Musik / World War III). Review by Matthew Moyer.
Kevin Blechdom at The Cow Haus in Tallahassee, FL on May 22, 2002. Concert review by Matthew Moyer. Photos by Heather Lorusso.
Memories (Triumvirate). Review by Matthew Moyer.
Starting an indie label is a risky prospect. Being able to sell your stuff at an affordable price and put out all the records you want to is even tougher. So how does the eclectic and intriguing Blackbean and Placenta Tape Club label make it work? Mike Landucci reveals some of the secrets of his success to Andrew Chadwick.
Column by David Lee Beowülf
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.
John Wayne’s final movie sees the cowboy actor go out on a high note, in The Shootist, one of his best performances.
Get to the theater tonight for Indigo Girls: It’s Only Life After All, Alexandria Bombach’s latest documentary, one night only!
Speedfossil’s in love with a girl on the internet, on “IRL” from Room With A VU, Vol.1.