Three aimless misfits find themselves a purpose when they unwittingly start a band. It’s not your typical rock story, as Ian Koss explains.

New York filmmaker April Anderson talks with Bob Pomeroy about volcanoes, horses, and making documentaries in Iceland.

With a year of festival and microcinema screenings behind them, Lily and Generoso select and review their ten favorite films, six supplemental features, and one exceptional repertory release of 2022.

Carl F. Gauze reviews Live and Fucking Loud From London on DVD, featuring the queen of rock and roll sex appeal, Wendy O. Williams.

Director Laura Citarella, of the famed filmmaking collective El Pampero Cine, has created with her newest feature Trenque Lauquen a provocative transformation of her protagonist Laura (Laura Parades), whom Citarella first introduced in her 2011 film Ostende. Lily and Generoso enjoyed an in-depth conversation with Citarella about Trenque Lauquen when it screened at AFI Fest 2022.

Carl F. Gauze recaps this year’s celebration of America’s most famous songwriter, Irving Berlin.

Join us for a new edition of New Music Now, with our special musical guest, Sleepyhead. All three members of the band are school teachers, so you didn’t hear it from us, but there might be a pop quiz about their album New Alchemy after the show.

Emmanuelle director Just Jaeckin’s misunderstood screwball comedy The Last Romantic Lover gets a much deserved Blu-ray release. Phil Bailey reviews.

Emmanuelle director Just Jaeckin’s misunderstood screwball comedy The Last Romantic Lover gets a much deserved Blu-ray release. Phil Bailey reviews.

Again, Again, Again (Misra Records). Review by Judy Craddock.

Back in 2018, Lily and Generoso selected Adirley Queirós’s Once There Was Brasilia as a top ten film. That feature’s cinematographer, Joana Pimenta, has now co-directed with Queirós one of the most expansive political films we’ve seen this year, Dry Ground Burning. Lily and Generoso interviewed Pimenta at AFI Fest earlier this month.

Christmas Alone (Third Man Records). Review by Judy Craddock.