Mission Of Burma
The Sound The Speed The Light (Matador Records). Review by Carl F Gauze.
The Sound The Speed The Light (Matador Records). Review by Carl F Gauze.
The Bright Orange Years (Merge Records). Review by Scott Adams.
Despite being sunkissed by Spiritualized and bum rushed by Public Enemy , Chris Catania is distinctly underwhelmed by this year’s Pitchfork Festival.
English Self Storage (Sink & Stove). Review by Aaron Shaul.
Sylvia the Eagle (Run-Roc). Review by Kiran Aditham.
Year Future (GSL). Review by Daniel Mitchell.
indie,math,punk,Year Future,Year Future,GSL,Daniel Mitchell
Daniel Mitchell enjoys the occasional musico-archaelogical jaunt through the wonderful world of Ohio record shop dollar bins; what follows are his top 19 finds of 2003.
Chrome Rats vs. Basement Ruts (Gold Standard Laboratories). Review by Daniel Mitchell.
Consonant (Fenway). Review by Stein Haukland.
Be A Criminal (Revelation). Review by Daniel Mitchell.
Alfred Sole’s Alice, Sweet Alice is a very Generation X movie, mirroring our 1970s lives in important and disturbing ways. Phil Bailey reviews the new 4K UHD version.
In 1977, Here at Last… Bee Gees …Live cemented the Bee Gees’ budding reputation as world-class master songsmiths. 46 years later, longtime Ink 19 writer Christopher Long nabs a well-loved $6 vinyl copy at a Florida flea market — replacing his long-loved and lost-to-the-ages original record.
All-American music legend Bonnie Raitt played the Riverwind Casino Showplace Theatre in Norman, Oklahoma, recently while on her Live 2025 international concert tour. Longtime Ink 19 contributor Christopher Long was there and got the goods.
“Little Dreaming” (Darkroom / Polydor / Capitol). Review by Danielle Holian.
Everything Changes, Everything Stays the Same (Tapete Records). Review by Peter Lindblad.
Stories I Only Tell My Friends (Blackbird Records). Review by Bob Pomeroy.
Bone Bells (Pyroclastic Records). Review by Bob Pomeroy.