The Residents Visual History Book
Aaron Tanner delivers 400 pages of visual delights from the ever-enigmatic band, The Residents, in The Residents Visual History Book: A Sight for Sore Eyes, Vol. 2.
Aaron Tanner delivers 400 pages of visual delights from the ever-enigmatic band, The Residents, in The Residents Visual History Book: A Sight for Sore Eyes, Vol. 2.
When your arrangements are razor-sharp, your moods mercurial and psychedelic, and your melodies constantly off-kilter, you’re probably a Dutch band like Certain Animals.
Fragile (Hypertension Music). Review by Michelle Wilson.
Science For Girls (Self-released). Review by Chris Catania.
Ultra Music Festival celebrates a decade as dance music’s spiritual soul. S D Green makes the pilgrimage to Miami, is lost, and then found.
Pressure (Badman). Review by Jen Cray.
EP (None). Review by Jen Cray.
Dreamweb (Metropolis Records). Review by Jorge C. Galban.
Music for the Maases 2 (Hope / Kinetic). Review by Stein Haukland.
We Are Science (Mantra). Review by Ben Varkentine.
In Search of Sunrise (Black Hole). Review by Bill Campbell.
Various Artists (UTV / Water). Review by Bill Campbell.
Tony Bowman has an almost oracular knack for picking the next big thing, and he assures us Laura Dawn is it. Get to know her in this extensive conversation.
Modern Mantra (Shadow). Review by Bill Campbell.
Bust A Groove (Hypnotic). Review by Vanessa Bormann.
Horizontal (Water). Review by Vanessa Bormann.
Don’t Trust Whitey (self-released). Review by Ian Koss.
Animal Magic (Tru Thoughts/Ninja Tune). Review by Bill Campbell.
Analog Vs. Digital (Tarquin). Review by Ian Koss.
@ Sunrise and @ Sunset (Moonshine). Review by Vanessa Bormann.
In this latest installment of his weekly series, Christopher Long discovers and scores a secondhand vinyl copy of one of his all-time favorite LPs: 2XS (To Excess), the splendid 1982 flop from the iconic Scottish powerhouse, Nazareth.
A Murmuration of Capitalist Bees (Expert Work Records, Dipterid Records). Review by Peter Lindblad.
Author and longtime Ink 19 contributor Christopher Long kicks off the 2025 edition of his popular weekly Garage Sale Vinyl series with a bona fide banger: the blues-soaked, whisky-injected, self-titled 1971 debut record from Bonnie Raitt.
Hear My Song: The Collection, 1966 - 1995 (Madfish Music). Review by Bob Pomeroy.
Seijun Suzuki’s 1958 widescreen film noir feature, Underworld Beauty, comes to Blu-ray.
Phil Bailey reviews quirky sexploitation film Facets of Love (1973), a saucy Hong Kong costume drama from director Li Hsang-han of kung fu powerhouse Shaw Brothers, now out on Blu-ray.
Longtime Ink 19 staff writer Christopher Long spent almost the entire year consuming and writing about new music. Here are his personal Dirty Dozen: the 12 records that made his heart the happiest in 2024.
Stormchaser (Inebriated Music / Anthem Entertainment). Review by Christopher Long.
Let It Rock: Live from the San Francisco Civic Center 1980 (Liberation Hall). Review by Bob Pomeroy.