The 29th Florida Film Festival
A stripped-down film festival dips a toe into the Brave New World of masks, distancing, and cinema.
A stripped-down film festival dips a toe into the Brave New World of masks, distancing, and cinema.
Catching up on some video reviews and finding some hidden treasure on streaming.
Revisit the glory days of NY theater as the Cavendish family lives, loves, and occasionally need to flee the country.
Just when it seemed a dead end for seven Temple University film students, who made their very first feature film, things turned around. Brittany Sturges reports.
James Mann takes a hard look at the dirty dealings of Clean Flicks.
All that glitters may not be gold, yet somehow Oscar has retained his luster for 73 years. John P. Wasser meditates on the allure of the Academy Awards and the significance of the multicultural feel of this year’s ceremony.
This week, Christopher Long reveals one of his most amazing vintage vinyl acquisitions: an original pressing of Aladdin Sane — the iconic 1973 slab from David Bowie. Why so amazing? He nabbed it for FREE!
Who’s Making You Feel It (Darkroom/Polydor/Capitol). Review by Danielle Holian.
Film noir meets Sci-fi horror in Evan Marlowe’s bizarre puppet film Abruptio. Phil Bailey promises you have never seen anything quite like it.
Cheerleader’s Wild Weekend, aka The Great American Girl Robbery, entered the fray in 1979 with its odd mashup of hostage drama, comedic crime caper, and good old fashioned T & A hijinks. Phil Bailey reviews the Blu-ray release.
In this latest installment of his weekly series, Christopher Long discovers and scores a secondhand vinyl copy of one of his all-time favorite LPs: 2XS (To Excess), the splendid 1982 flop from the iconic Scottish powerhouse, Nazareth.
A Murmuration of Capitalist Bees (Expert Work Records, Dipterid Records). Review by Peter Lindblad.
Author and longtime Ink 19 contributor Christopher Long kicks off the 2025 edition of his popular weekly Garage Sale Vinyl series with a bona fide banger: the blues-soaked, whisky-injected, self-titled 1971 debut record from Bonnie Raitt.