The glass bottom boat of the cultural press
One of the most highly regarded works to screen at this year’s Locarno Film Festival was Quý Minh Trương’s The Tree House (Nhà cây), a documentary that dramatically utilizes a science fiction lens to simultaneously examine the cultures of multiple ethnic groups in Vietnam while compelling the audience to question the contemporary importance of visual documentation.
Hell on Wheels – Tour Stories: Remembered, Remixed, Remastered will make your liver shudder. Review by Carl F. Gauze.
Five years following its original theatrical release, Ink 19’s Christopher Long revisits the Linda Ronstadt biopic, The Sound of My Voice, to see if it still packs a punch.
All you need to know about how our government SHOULD work.
Five years have passed since the release of the The Tree House, the remarkable hybrid documentary film by director Trương Minh Quý. Việt and Nam is Trương’s first fiction feature, and with about a week before it screens at AFI Fest in Los Angeles, Lily and Generoso had an in-depth discussion with Trương about his ethereal and complex film.
