Mötley Crüe
With enough bad blood between the bands to make Keith Richards envious following a transfusion, the Mötley Crüe/Poison/New York Dolls Tour was more of a Deathmatch than a good-time, glam revival. Chris Long snuck in on the action.
With enough bad blood between the bands to make Keith Richards envious following a transfusion, the Mötley Crüe/Poison/New York Dolls Tour was more of a Deathmatch than a good-time, glam revival. Chris Long snuck in on the action.
The year 2003 isn’t officially over until we’ve had Gail Worley’s picks from the mountain of interviews she did over those twelve months. It’s a rock zeitgeist!
A clothing line based on his tattoos. A new band. A new dedication for his instrument. Mötley Crüe bassist Nikki Sixx skips the past and talks about present projects and a future of cracking coconuts on the beach. Gail Worley digs up the dirt.
From Motley to Mayhem, Tommy Lee has done it all, and Gail Worley gets him to tell all.
From Ink 19 ad rep to the Marvelous 3 to a career as a solo artist, songwriter, and producer, it’s been an interesting journey for Butch Walker, and he discusses it all in a candid interview with Gail Worley.
Sharon Van Etten & The Attachment Theory (Jagjaguwar). Review by Peter Lindblad.
This week, Christopher Long goes “gaga” over discovering an ’80s treasure: an OG vinyl copy of Spring Session M, the timeless 1982 classic from Missing Persons — for just six bucks!
Both bold experiment and colossal failure in the 1960s, Esperanto language art house horror film Incubus returns with pre-_Star Trek_ William Shatner to claim a perhaps more serious audience.
You Can’t Tell Me I’m Not What I Used To Be (North & Left Records). Review by Randy Radic.
In this latest installment of his weekly series, Christopher Long is betrayed by his longtime GF when she swipes his copy of Loretta Lynn’s Greatest Hits Vol. II right out from under his nose while rummaging through a south Florida junk store.