Bush Tetras
They Live in My Head (Wharf Cat Records). Review by Bob Pomeroy.
They Live in My Head (Wharf Cat Records). Review by Bob Pomeroy.
Quintron and Miss Pussycat brought their psychedelic carnival to Will’s Pub in Orlando, and Julius C. Lacking was there to make some flashbacks.
Various Artists (Matador). Review by Matthew Moyer.
Shut Up and Bleed (Atavistic Records). Review by Matthew Moyer.
Matthew Moyer believes that this new Lydia Lunch DVD retrospective provides a fine primer for a life well-lived on the fringes of art and expression.
Shelton Hull refers to the feminist vision of the inimitable Lydia Lunch as “seminal” and lives to tell the tale.
When Dracula Thinks “Look At Me” (Southern Records). Review by Matthew Moyer.
Boss (Ecstatic Peace!). Review by Aaron Shaul.
Matthew Moyer is glad that Holly George-Warren and the other compilers of this coffeetable-riffic collection of punk photos fetishize image as much as he does.
May I Meet My Accuser (Imaginary Conflict). Review by Matthew Moyer.
Sur Les Traces De Black Eskimo (Alien8). Review by Aaron Shaul.
Dune Phase (Gern Blandsten). Review by Aaron Shaul.
Smoke Signals (Skin Graft). Review by Aaron Shaul.
Daniel Mitchell fights the nervous jitters as he speaks to cultural icon Lydia Lunch…
N’ecoutez pas (Constellation). Review by Aaron Shaul.
Wolves With Pretty Lips (Suicide Squeeze). Review by Aaron Shaul.
Neu (Asian Man). Review by Aaron Shaul.
Japan,indie,no-wave,new wave,rock,Polysics,Neu,Asian Man,Aaron Shaul
indie,experimental,no wave,punk,Sonic Youth,Sonic Nurse,Geffen,Daniel Mitchell
Sonic Nurse (Geffen). Review by Daniel Mitchell.
The Best of hackedepicciotto (Live in Napoli) (Mute). Review by Peter Lindblad.
Ink 19’s Randy Radic spoke with C.L. Turner of the band Arctic Wave to discuss the latest single, inspirations, and next directions.
Featured image courtesy of Present PR
Radiance Films resurrects a trio of ghostly mid-century Japanese films for their Daiei Gothic: Japanese Ghost Stories Blu-ray box set.
Haunted Underground Classics (RockBeat Records). Review by Charles DJ Deppner.