Ultra Music Festival
Ultra Music Festival celebrates a decade as dance music’s spiritual soul. S D Green makes the pilgrimage to Miami, is lost, and then found.
Ultra Music Festival celebrates a decade as dance music’s spiritual soul. S D Green makes the pilgrimage to Miami, is lost, and then found.
Plan B (Hymen). Review by Matthew Moyer.
Lie, Cheat & Steal / You Should Be Ashamed (Breakbeat Science). Review by Stein Haukland.
The Dope King (Crack Nation). Review by Bill Campbell.
Form and Function (Astralwerks). Review by Jason Straw
Form & Function (Astralwerks). Review by drew West
Twenty-three years after his Sonic Recipe for Love, Steve Stav writes a playlist for the brokenhearted victims of another corporate holiday: the first Valentine’s Day of the second Trump era.
Phil Bailey reviews Rampo Noir, a four part, surreal horror anthology film based on the works of Japan’s horror legend, Edogawa Rampo.
In this latest installment of his popular weekly series, Christopher Long finds himself dumpster diving at a groovy music joint in Oklahoma City, where he scores a bagful of treasure for UNDER $20 — including a well-cared-for $3 vinyl copy of Life for the Taking, the platinum-selling 1978 sophomore set from Eddie Money.
Ink 19’s Liz Weiss spends an intimate evening with Gregory Alan Isakov.
Sharon Van Etten & The Attachment Theory (Jagjaguwar). Review by Peter Lindblad.
This week, Christopher Long goes “gaga” over discovering an ’80s treasure: an OG vinyl copy of Spring Session M, the timeless 1982 classic from Missing Persons — for just six bucks!
Both bold experiment and colossal failure in the 1960s, Esperanto language art house horror film Incubus returns with pre-_Star Trek_ William Shatner to claim a perhaps more serious audience.
You Can’t Tell Me I’m Not What I Used To Be (North & Left Records). Review by Randy Radic.