Isley Meets Bacharach
Here I Am (Dreamworks). Review by Aaron Shaul.
Here I Am (Dreamworks). Review by Aaron Shaul.
You Know the Rules (Mint). Review by Aaron Shaul.
Show Us Your Demons (Dirtnap). Review by Nick Plante.
Show Us Your Demons (Dirtnap). Review by Nick Plante.
Redone (Lo / Bubblecore). Review by Stein Haukland.
Redone (Lo / Bubblecore). Review by Stein Haukland.
You Know the Rules (Mint). Review by Aaron Shaul.
Life Through One Speaker (Mint). Review by Aaron Shaul.
In This Skin (Columbia). Review by Aaron Shaul.
Coverage (Columbia). Review by Aaron Shaul.
Rachael Yamagata (Private Music). Review by Aaron Shaul.
Summer of ‘98 (Magic Marker). Review by Aaron Shaul.
Living Outside (Nettwerk). Review by Daniel Mitchell.
1985 (Nitro). Review by Margie Libling.
The Love of Life (Tooth & Nail). Review by Daniel Mitchell.
Little Music (Kindercore). Review by Julio Diaz.
2 (K). Review by Julio Diaz.
Various Artists (Double Zero Records). Review by Daniel Mitchell.
Vells (Luckyhorse Industries). Review by Aaron Shaul.
Wave Another Day Goodbye (Hidden Agenda). Review by Aaron Shaul.
Gasoline Lollipops’ newest single, “Freedom Don’t Come Easy,” is today’s mother lovin’ punk rock folk anthem.
Frank Henenlotter’s gory grindhouse classic Basket Case looks as grimy as the streets of Times Square, and that is one of the film’s greatest assets. Arrow Video gives this unlikely candidate a welcome fresh release.
Despite the Mother’s Day factor, hundreds of fervent, faithful followers still flocked to Orlando’s famed Plaza Live to catch an earlybird set from Jimmy Failla — one of the hottest names on today’s national comedy scene.
Ink 19 readers get an early listen and look at “Cool Sparkling Water,” a new single from Lonnie Walker.
Jeremy Glazier has a bucket list day at a Los Lobos 50th Anniversary show in Davenport, Iowa.
Carl F. Gauze reviews the not-quite one-woman show, Always… Patsy Cline, based on the true story of Cline’s friendship with Louise Seger, who met the star in l961 and corresponded with Cline until her death.
Carl F. Gauze reviews this interesting look at the surprising history and scandalous etymology of jazz, in Weird Music That Goes On Forever, by Bob Suren.
Two new releases from Free Dirt Records use sound and music to tell stories about our history.
A lady Tarzan and her gorilla have a rough time adapting to high society in Lorraine of the Lions (1925), one of four silent films on Accidentally Preserved: Volume 5, unleashed by Ben Model and Undercrank Productions, with musical scores by Jon C. Mirsalis.