Julien Temple puts together a sweet requiem for Joe Strummer of The Clash.

Kill Twee Pop! (Slumberland). Review by Aaron Shaul.

Local Anesthetic (Smooch Records). Review by Scott Adams.

Matthew Moyer has his eye on a nice, new pair of leather suspenders – and he’s gonna wear them while watching Return of the Living Dead boys.

It’s Not The Eat, It’s The Humidity (Alternative Tentacles Records). Review by Scott Adams.

Despite muffled sound and the occasional camera work that makes your mom’s home movies look like Wellesian epics, Andrew Coulon can’t help but recommend this compilation of classic footage from Canada’s rudest punks.

P.I.N.S. (NDN Records). Review by Matthew Moyer.

Police, Police! (Standard Recording Co.). Review by Aaron Shaul.

Golden Black (Narnack). Review by Aaron Shaul.

Gold Thriller (Joyful Noise). Review by Nora Richardson.

Despite decades of punk being neutered by the media and the marketplace, Matthew Moyer is heartened to find that the artwork collected in this retrospective still has the power to outrage and inspire.

Suicide devotee Matthew Moyer sits down with Alan Vega to talk about his new solo album Station, the mysteries of the creative process, whether Bruce Springsteen is indeed the Boss, becoming an entertainer and… a family man. This be the verse.

Shattered (Dirtnap). Review by Aaron Shaul.

Living In The Future (Dirtnap Records). Review by Carl F Gauze.

Revenge of the Killer Slits (S.A.F.). Review by Aaron Shaul.

Cholera (Two Thumbs Down). Review by Aaron Shaul.

Carl F Gauze , who may or may not be a card-carrying member of the Blank Generation, follows punk godfather Richard Hell from the seedy world of rock to the perhaps seedier world of the written word.

A documentary about the leading label of the punk and new wave movment, Carl F Gauze sticks a safety pin through his nose and jumps.

Retro Pop Remasters (Go Kart Records). Review by Carl F Gauze.

Too Little Too Late / Revenge of the Village Idiots (Village Idiot Records). Review by Carl F Gauze.