Gregor Samsa
Rest (The Kora Records). Review by Matthew Moyer.
Rest (The Kora Records). Review by Matthew Moyer.
Blue (Flau). Review by Aaron Shaul.
“If you want to dance, go on and fucking dance!” How could Heather Lorusso resist such an entreaty from Warren Ellis and the Dirty Three?
Flies the Field (Quarterstick). Review by Aaron Shaul.
Don’t Drink His Blood (Temporary Residence). Review by Aaron Shaul.
Systems/Layers (Quarterstick). Review by Aaron Shaul.
Tricks For Dawn (spinART / Cooking Vinyl). Review by Eric J. Iannelli.
Selenography (Quarterstick). Review by Andrew Chadwick
Alfred Sole’s Alice, Sweet Alice is a very Generation X movie, mirroring our 1970s lives in important and disturbing ways. Phil Bailey reviews the new 4K UHD version.
In 1977, Here at Last… Bee Gees …Live cemented the Bee Gees’ budding reputation as world-class master songsmiths. 46 years later, longtime Ink 19 writer Christopher Long nabs a well-loved $6 vinyl copy at a Florida flea market — replacing his long-loved and lost-to-the-ages original record.
All-American music legend Bonnie Raitt played the Riverwind Casino Showplace Theatre in Norman, Oklahoma, recently while on her Live 2025 international concert tour. Longtime Ink 19 contributor Christopher Long was there and got the goods.
“Little Dreaming” (Darkroom / Polydor / Capitol). Review by Danielle Holian.
Everything Changes, Everything Stays the Same (Tapete Records). Review by Peter Lindblad.
Stories I Only Tell My Friends (Blackbird Records). Review by Bob Pomeroy.
Bone Bells (Pyroclastic Records). Review by Bob Pomeroy.