Petunia-Liebling MacPumpkin
Fish Drive Edsels. Review by Matthew Moyer.
Fish Drive Edsels. Review by Matthew Moyer.
Central Flow (Fire Records). Review by Matthew Moyer.
Music from the Unrealized Film Script: Dusk at Cubist Castle/ Black Foliage: Animation Music Volume One (Chunklet Industries). Review by Carl F Gauze.
The Glitter End (Critical Heights ). Review by Matthew Moyer.
Secret Rhythms 4 (Nonplace Records). Review by Carl F Gauze.
Milky Ways. (!K7 Records). Review by Carl F Gauze.
If you didn’t catch Mr. Quintron and Miss Pussycat’s Jacksonville performance, as our own Matthew Moyer did, then you missed out on one seriously artistic explosion of wonder.
MVP (Broken Sparrow). Review by Carl F Gauze.
Ween dominates Orlando with a marathon set! Phillip Haire prostrates himself at the altar of brothers Dean and Gene.
Where The Devil Dances (Ambiguous Music). Review by Carl F Gauze.
Aiming to Answer Common Questions (Web of Mimicry). Review by Carl F Gauze.
Sunnypsyop (Spitfire Records ). Review by Matthew Moyer.
A Life in a Day of A Microorganism (Corporate Blob Records). Review by Carl F Gauze.
The You I Knew (self-released). Review by Gail Worley.
Everything Changes, Everything Stays the Same (Tapete Records). Review by Peter Lindblad.
Stories I Only Tell My Friends (Blackbird Records). Review by Bob Pomeroy.
Bone Bells (Pyroclastic Records). Review by Bob Pomeroy.
In this installment of his popular weekly series, Christopher Long recalls rolling up on a used record joint in Myrtle Beach where he scored a clean and quiet vinyl copy of Hermit of Mink Hollow, the 1978 masterpiece from Todd Rundgren, for just $2.
Ink 19 spoke with Brendan James to discuss the inspiration behind Chasing Light, his uniquely alluring sound, and why he makes music.
Serving as an inspirational beacon for aspiring musicians and artists — women and men alike — Beat Keepers: The Next Chapter may not be a big-budget feature, but its heartbeat is HUGE!
Let the Good Times Roll (Vegas Records). Review by Bob Pomeroy.