Daniel Romano
Mosey (New West Records). Review by James Mann.
Mosey (New West Records). Review by James Mann.
A two-DVD set featuring two documentaries about U2, one focusing on an analysis of the album Achtung Baby and the other on the band’s first two albums of the 2000s.
Acolytes David Bowie and Jarvis Cocker may have a vested interest in maintaining the Walker mythos, but No Regrets is under no such obligation.
There’s only one man whose swagger can quiet a crowd of 600,000 people on the cusp of rioting. His name is Leonard Cohen , and once again the poet/musician surfaces from images of the past.
Too young to be fully cognizant of the more embarrassing excesses of Gothic music over the past twenty years, the young Turks of NYC’s own Blacklist are, perhaps unwittingly, the best hope of redeeming Goth-metal. Fresh from a European tour complete with horned hotel antics, Blacklist frontman and provocateur Josh Strawn told Ink 19 all about how he learned to stop worrying and love Motorhead and Scott Walker equally.
Matthew Moyer finds himself in the same concert hall as Leonard Cohen , holy clown, dour prophet, borscht belt crooner, and true legend – in Tampa, Florida, no less.
Live in London (Sony). Review by Jessica Whittington.
Two Suns (Astralwerks). Review by Jen Cray.
Everything/Everything (Tomlab). Review by Matthew Moyer.
Brand New Pants (Crunchy Frog). Review by Matthew Moyer.
David Thomas Broughton vs. 7 Hertz (Acuarela). Review by Aaron Shaul.
For Emma, Forever Ago (JagJaguar). Review by Matthew Moyer.
Revolution (Self-released). Review by Kyrby Raine.
Cole’s Corner (Mute). Review by Kiran Aditham.
Oh You’re So Silent Jens (Secretly Canadian). Review by Aaron Shaul.
A dangerously high-quality DVD release of a Bad Seeds gig at Le Transbordeur, Lyon, France, 8th June 2001… Matthew Moyer is transported and somehow manages to get in a review from the other side.
Cause and Effect (Projekt Records). Review by Matthew Moyer.
Who Will Cut Our Hair When We’re Gone? (Alien8 Recordings). Review by Matthew Moyer.
I’ll Take It (Arena Rock). Review by Matthew Moyer.
Estranged (Heyday). Review by Matthew Moyer.
This week, Christopher Long visits a Florida rummage sale where he comes across a well-cared-for vinyl copy of Smash Hits, the 1969 compilation LP from the Jimi Hendrix Experience, for just two bucks, and he soon rediscovers why the guitar-slashing icon remains “the whole package.”
88 Films gives new life to The Lady Assassin, Tony Lou Chun-Ku’s delightful mix of kung fu, Wuxia swordplay, and palace intrigue.
Alfred Sole’s Alice, Sweet Alice is a very Generation X movie, mirroring our 1970s lives in important and disturbing ways. Phil Bailey reviews the new 4K UHD version.
In 1977, Here at Last… Bee Gees …Live cemented the Bee Gees’ budding reputation as world-class master songsmiths. 46 years later, longtime Ink 19 writer Christopher Long nabs a well-loved $6 vinyl copy at a Florida flea market — replacing his long-loved and lost-to-the-ages original record.
All-American music legend Bonnie Raitt played the Riverwind Casino Showplace Theatre in Norman, Oklahoma, recently while on her Live 2025 international concert tour. Longtime Ink 19 contributor Christopher Long was there and got the goods.
“Little Dreaming” (Darkroom / Polydor / Capitol). Review by Danielle Holian.
Everything Changes, Everything Stays the Same (Tapete Records). Review by Peter Lindblad.
Stories I Only Tell My Friends (Blackbird Records). Review by Bob Pomeroy.