The Sword of God (Touch And Go). Review by Ian Koss.
Letters From Frank (Top Quality Rock n’ Roll). Review by Marcel Feldmar.
With her days in Sarge behind her, Elizabeth Elmore is dividing her time between law school and trying to make it as a solo artist. Phil Bailey caught her in a rare open moment to discuss going solo, vegetarianism, Matlock, and why she thinks the "women’s music" movement sucks.
All Hands on the Bad One (Kill Rock Stars). Review by Phil Bailey
Interview by Phil Bailey & Lauren Newman
Event Review by Frank Mullen
Event Review by Phil Bailey
Get Up 7″ (Kill Rock Stars). Review by Marcel Feldmar
From an underground band that pioneered the thrash metal sound, to arguably the biggest rock act in the new millennium, Metallica has had a long and tumultuous history. Ben Apatoff scours a myriad of sources to catalog this history in his new book.
Shortly after AFI Fest 2021 wrapped, Generoso spoke at length with director, Araceli Lemos about her award-winning and potent feature debut, Holy Emy. Lemos’s film uses elements of body horror in her story about the exoticization of two Filipina sisters living in Greece and how that exploitation creates a distance between them.
A woofin’ good time with cuts from Hank Williams, Muddy Waters, Delta Moon and more from KMRD 96.9, Madrid, New Mexico!
Absurdism with a healthy dose of air conditioning.
Like pre-teens throwing every liquid into the kitchen blender and daring each other to drink the results, Woody and Jeremy fuse all manner of sounds legitimate and profane into some murky concoction that tastes surprisingly good.
Synapse Films reissues Lamberto Bava’s epic ’80s gore-filled movies Demons and Demons 2 in beautiful new editions.
Searching for the Disappearing Hour (Pyroclastic Records). Review by Bob Pomeroy.
Earlier this year, director Payal Kapadia was awarded the Oeil d’or (Golden Eye) for best documentary at the 74th Cannes Film Festival for her debut feature, A Night of Knowing Nothing. Lily and Generoso interviewed Kapadia about her poignant film, which employs a hybrid-fiction technique to provide a personal view of the student protests that engulfed Indian colleges and universities during the previous decade.
A classic children’s tale re-imagined by America’s greatest composers.
