Billy Talent
Billy Talent (Atlantic). Review by Addam Donnelly.
Billy Talent (Atlantic). Review by Addam Donnelly.
The End of Heartache (Roadrunner). Review by Daniel Mitchell.
metal,metalcore,Killswitch Engage,The End of Heartache,Roadrunner Records,Daniel Mitchell
The Rise of Brutality (Universal). Review by Daniel Mitchell.
Bright Flashes (Victory). Review by Daniel Mitchell.
The Rise of Brutality (Universal). Review by Daniel Mitchell.
Bright Flashes (Victory). Review by Daniel Mitchell.
The Duplicated Memory (Eulogy). Review by Nick Plante.
The Files You Have On Me (Victory Records). Review by Margie Libling.
Daryl Taberski from Snapcase discusses world issues over the telephone, and we get the blow-by-blow from Daniel Mitchell.
Tear From the Red (Trustkill). Review by Daniel Mitchell.
Blues Moderne: Danois Explosifs (Stickfigure). Review by Christopher R. Weingarten.
Perseverance (Universal). Review by Daniel Mitchell.
Eso Charis (Solid State). Review by Daniel Mitchell.
Carpe Diem (Revelation). Review by Daniel Mitchell.
The seminal Victory Records label has been responsible for some of the most influential and important hardcore acts of the last decade. Nathan T. Birk looks back at hardcore history with their new DVD, Victory Video Collection.
Last Rites (Victory). Review by Nathan T. Birk.
Warped Tour highlights from the Cental Florida Fairgrounds in Orlando, FL on July 30, 2000, including Unwritten Law, Suicide Machines, Snapcase, MxPx, and NOFX. Event review and photos by Jen Lato.
Small-town Grand Junction, Colorado, comes out in droves to Slamming Bricks 2023, as our beloved queer community event eclipses its beginnings to command its largest audience yet. Liz Weiss reviews the performance, a bittersweet farewell both to and from the Grand Valley’s most mouthy rebel organizer, Caleb Ferganchick.
Carl F. Gauze reviews Dreamers Never Die, the loving documentary on the career of rocker extraordinaire Ronnie James Dio.
The iconic rock and roll magazine from the 1960s is back and just as relevant and snotty as ever.
This week, Christopher Long nearly fights a famed rock star in defense of his 1970s pin-up princess. To prove his point, Chris goes into his own garage and digs out his musty vinyl copy of the self-titled 1972 alt. country classic from Linda Ronstadt.
A former convict returns to London to avenge his former enemies and save his daughter. Carl F. Gauze reviews the Theater West End production of Sweeney Todd.
This week, cuddly curmudgeon Christopher Long finds himself feeling even older as he hobbles through a Florida flea market in pursuit of vinyl copies of the four infamous KISS solo albums — just in time to commemorate the set’s milestone 45th anniversary.
Starting with small-time jobs, two gangsters take over all the crime in Marseilles in this well-paced and entertaining French film. Carl F. Gauze reviews the freshly released Arrow Video Blu-ray edition of Borsalino (1970).