- Archikulture Digest
- January 21, 2019
Top Broadway hits on the intimate Breakthrough stage.
Couldn’t let 2018 get past us without a few quick takes!
Oxford Basement Collection (Esperanza Plantation). Review by Carl F Gauze.
Movement in a Storm (Moshi Moshi). Review by Carl F Gauze.
Yes Yes Yes (Parasol Records). Review by Carl F Gauze.
I Think I Can See the Ocean (Stunning Models On Display). Review by Jeff Schweers.
The Hidden Names (Nine Mile Records). Review by Carl F Gauze.
We follow singing sensation Rosie Thomas on tour and see how nicely everyone gets along.
Dark Was the Night (Red Hot Organization). Review by Tim Wardyn.
The Hazards of Love (Capitol). Review by Matt Parish.
Na Na Ni (The Kora ). Review by P. McEver.
A Certain Feeling (Secretly Canadian). Review by Aaron Shaul.
Colin Meloy Sings Live! (Kill Rock Stars). Review by Aaron Shaul.
I’m Not There: Original Soundtrack (Sony Records). Review by Matthew Moyer.
Plain Songs (Arbouse). Review by Aaron Shaul.
Evan is a Vegan (Standard). Review by Nora Richardson.
An Asthmatic Kitty Compilation (Asthmatic Kitty). Review by Aaron Shaul.
Dewdrops (Livewire). Review by Aaron Shaul.
Be Careful What You Call Home (Home Tapes). Review by Aaron Shaul.
The Oaks are more than a band, they’re a humanitarian effort. Of the two founding members, one spent two years in Afghanistan helping refugees, while the other has a master’s in philosophy & environmental ethics. Jen Cray spoke with both Ryan Costello and Matt Antolick.