Tomorrow We Move to Hawaii
Indépendance (Red Eye Transit). Review by Carl F Gauze.
Indépendance (Red Eye Transit). Review by Carl F Gauze.
45 Grave is a monthly column dedicated to a physical music medium that is way too fun to go quietly into digital limbo, no matter how eagerly cloud zombies want to fashion the coffin.
Central Flow (Fire Records). Review by Matthew Moyer.
Before Today (4AD Records). Review by Matthew Moyer.
Darker Blue (Defend Music). Review by Matthew Moyer.
Islands (Labrador Records). Review by Matthew Moyer.
Psychic Chasms (Lefse Records). Review by Matthew Moyer.
Bolshevik Disco (Manimal Vinyl). Review by Matthew Moyer.
Union Street (Mute). Review by Kiran Aditham.
Satan’s Circus (Drone/Universal). Review by Kiran Aditham.
A Complete Arsenal (Sound Virus). Review by Aaron Shaul.
Haunted Underground Classics (RockBeat Records). Review by Charles DJ Deppner.
Hell on Wheels – Tour Stories: Remembered, Remixed, Remastered will make your liver shudder. Review by Carl F. Gauze.
Five years following its original theatrical release, Ink 19’s Christopher Long revisits the Linda Ronstadt biopic, The Sound of My Voice, to see if it still packs a punch.
All you need to know about how our government SHOULD work.