The Jesus Lizard: Club
Matthew Moyer declares this the best approximation of the Jesus Lizard live experience.
Matthew Moyer declares this the best approximation of the Jesus Lizard live experience.
Nick Cave captures a side of east Sussex that you’ll never see on travel posters in this novel that Carl F Gauze likens to Death of a Salesman for the 21st Century.
Strange House (Stolen Transmission). Review by Jen Cray.
Still Lifes Are Failing (GSL). Review by Aaron Shaul.
They Threw Us All in a Trench and Stuck a Monument on Top (Blast First / Mute). Review by Terry Eagan.
Necromance: Digital Urban Icons (Day After). Review by Nathan T. Birk.
American Folk Horror (Estrus). Review by Terry Eagan.
Cesarean (Escape Artist). Review by Nathan T. Birk.
Another gem in Marco Bellocchio’s oeuvre, journalism thriller Slap the Monster on Page One is as relevant today as it was in 1972.
Before there was Leather Tuscadero, Suzi Quatro was in two pioneering, all-woman rock bands in her hometown of Detroit, Michigan. This is a Quick Look at those bands: The Pleasure Seekers and Cradle.
Lily and Generoso review director Hernán Rosselli’s second hybrid-fiction crime film that artfully explores our perceived notions of family.
Lights On A Satellite: Live At The Left Bank (Resonance Records). Review by Bob Pomeroy.
Don’t let the stats fool you. Zyzzyx Road may have been the lowest grossing movie in history, but is it worth checking out? Phil Bailey explores the new 4K UHD from Dark Arts Entertainment.
In France: Live at the 1977 Nancy Jazz Pulsations Festival ( Deep Digs). Review by Bob Pomeroy.
The first film based on Junji Ito’s manga, Tomie, makes its US Blu-ray debut from Arrow Video.