Kill Me Tomorrow
Skin’s Getting Weird (Gold Standard Laboratories). Review by Terry Eagan.
Skin’s Getting Weird (Gold Standard Laboratories). Review by Terry Eagan.
Tacoma Ballet (Brain Floss). Review by Matt Cibula.
10 Songs (Perishable). Review by Stein Haukland.
All Eyes Open (Stick Figure). Review by Kiran Aditham.
Any Other City (DC / Baltimore 2012). Review by Terry Eagan.
Tales of Madness and Horror (Daemon). Review by Nicholas Vroman.
After disappearing for five years, Elastica have appeared back on the scene with a new album, The Menace, and a new line-up. Singer Justine Frischmann talks with Julio Diaz about the hiatus, the changes, and why Elastica should be considered a punk rock band.
Today’s Smmoth Jazz Roundup is a collection of short reviews of easy-to-listen-to jazz.
In Perfect Harmony: The Lost Album (Jazz Detective). Review by Bob Pomeroy.
The Mighty Warriors: Live in Antwerp (Elemental Music). Review by Bob Pomeroy.
40 years on, Michael Gira and Swans continue to bring a ritualistic experience that needs to be heard in order to be believed. Featured photo by Reese Cann.
The biggest astronomical event of the decade coincides with a long overdue trip to Austin, Texas.
Sofia and Louise have just graduated nursing school. They have no idea what they’ve signed up for.
At the Showcase: Live in Chicago 1976/1977 (Jazz Detective). Review by Bob Pomeroy.
Atlantis Lullaby: The Concert in Avignon (Elemental Music). Review by Bob Pomeroy.
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.