Broken Records
Let Me Come Home (4AD). Review by Jeff Schweers.
Let Me Come Home (4AD). Review by Jeff Schweers.
Totimoshi have their own unique take on heavy music, discovers Jen Cray , but they’re having trouble finding an audience for it.
The Shore (Maverick). Review by Stein Haukland.
Human Conditions (Virgin). Review by Sean Slone.
Float Away With the Friday Night Gods (E-Squared / Artemis). Review by James Mann.
The Way I Feel Today (Mantra / Beggars Banquet). Review by Stein Haukland.
Between The Senses (Virgin). Review by Terry Eagan.
44 Down (Reverb). Review by Daniel Mitchell.
Tricks For Dawn (spinART / Cooking Vinyl). Review by Eric J. Iannelli.
Under A Sun (MCA). Review by Terry Eagan.
The Shadow Boxing, a neglected part of the Chinese Hopping Vampire cycle, returns on a spooky Blu-ray from 88 Films.
Daniel Rachel gives us a comprehensive account of the 2 Tone Records label and the innovative ska bands who fueled the movement in Too Much Too Young, the 2 Tone Records Story: Rude Boys, Racism, and the Soundtrack of a Generation.
Our Ancestors Swam to Shore (Free Dirt / PM Press). Review by Bob Pomeroy.
Jason Vorhees is back in 2009’s soft reboot of Friday the 13th, and it is time for a re-evaluation of the most recent film in the long running franchise.
Squeeze and Boy George dazzle in Clearwater, Florida, as Michelle Wilson ticks two off her Bucket List.
Three strong women oust their evil boss and bring reasonable policies to the workplace in this hit musical.
Marvelous martial arts masterpiece To Kill a Mastermind is finally released from the Shaw Brothers’ vault.
Possessing all the coziness of a gawk-worthy car crash, Permanent Damage, the salacious memoir from the notorious, outrageous “groupie” Miss Mercy Fontenot and celebrated pop culture journalist Lyndsey Parker, provides a surprise payoff.