Osees
A Foul Form (Castleface Records). Review by Charles DJ Deppner.
A Foul Form (Castleface Records). Review by Charles DJ Deppner.
There’s no detail too small or scar too deep for Eels to pick up and examine in a wry musical light.
Sneaks uses electronic layers and a disaffected delivery to create something that lives in the past and in the future and only circumstantially in the present.
The world of Khruangbin is made up of velvet sunsets, shimmering dunes, and cool river rocks. There’s also a guitar, some drums, and a bass. And lately, vocals.
An Odd Entrances (Castle Face Records). Review by Jen Cray.
A Weird Exits (Castle Face). Review by Jen Cray.
compilation of the final shows at Death By Audio (Famous Class). Review by Jen Cray.
Live in San Francisco (Castle Face). Review by Jen Cray.
s/t (Castle Face). Review by Jen Cray.
Bring your loupe and spend some time poring over the maps that open Navola with Ian Koss.
On the Intricate Inner Workings of the System (Sub Pop). Review by Julius C. Lacking.
Lily and Generoso review director Gürcan Keltek’s mesmerizing supernatural drama, New Dawn Fades, winner of the Best Feature Boccalino D’Oro Award of the 24th Independent Film Critics Awards of the 2024 Locarno International Film Festival.
Channing Wilson opens for Steve Earle as Steve tours on his Alone Again Live album.
“Lonely Striped Sock,” a tiny fraction of Montreal band PYPY’s upcoming fireball album, Sacred Times, won’t get lost in your dryer, I promise.