A Foul Form (Castleface Records). Review by Charles DJ Deppner.
There’s no detail too small or scar too deep for Eels to pick up and examine in a wry musical light.
Sneaks uses electronic layers and a disaffected delivery to create something that lives in the past and in the future and only circumstantially in the present.
The world of Khruangbin is made up of velvet sunsets, shimmering dunes, and cool river rocks. There’s also a guitar, some drums, and a bass. And lately, vocals.
An Odd Entrances (Castle Face Records). Review by Jen Cray.
A Weird Exits (Castle Face). Review by Jen Cray.
compilation of the final shows at Death By Audio (Famous Class). Review by Jen Cray.
Live in San Francisco (Castle Face). Review by Jen Cray.
s/t (Castle Face). Review by Jen Cray.
Recently on Ink 19...
The winner of the FIPRESCI Prize at the 2021 Viennale, The Tale of King Crab has documentarians Alessio Rigo de Righi and Matteo Zoppis creating their first hybrid-fiction feature, which expands on the provocative mythologies birthed in the town of Vejano, Italy. Generoso and Lily review this immersive and imaginative film.
It was a party, it was a metal show, it was a lot of fun. Anna-Marie O’Brien catches up with Metal Blade in Vegas.