The Suicide Commandos
Time Bomb (Twin/Tone). Review by Scott Adams.
Time Bomb (Twin/Tone). Review by Scott Adams.
Jinx (Time Bomb). Review by Bettie Lou Vegas.
While not impressing me as fast as their previous albums, The Rising Tide<…></…>
Yes, they’re Canadian… but don’t let that fool you. These guys push out som…
Wow! Fuck yeah! The Crowns are back with a vengeance! If you were a fan of th…
Despite two years of lineup changes, name changes, record label merry-go-round rides, lawsuits, and more, the Amazing Crowns have remained Royal to the loyal. Julio Diaz catches up with frontman Jason “King” Kendall to get the details.
Could You Please & Thank You (Time Bomb). Review by Sean Slone
Under The Influences (Time Bomb). Review by Julio Diaz
Spoken through the Profits EP (Time Bomb). Review by David Lee Beowülf
F=0 (Time Bomb). Review by Bob Zaraf
Map of the Sky (Time Bomb). Review by Nathan T. Birk
Cheating at Solitaire (Time Bomb). Review by James Mann
Red Light (Time Bomb). Review by James MacLaren
Cheating at Solitaire (Time Bomb). Review by Tom Minarchick
Soundtrack (Time Bomb). Review by Michael Crown
Hit Man Dreams (Time Bomb). Review by Keith Bergman
Bob Pomeroy gets into four Radio Rarities from producer Zev Feldman for Record Store Day with great jazz recordings from Wes Montgomery, Les McCann, Cal Tjader, and Ahmad Jamal.
Bob Pomeroy digs into Un “Sung Stories” (1986, Liberation Hall), Blasters’ frontman Phil Alvin’s American Roots collaboration with Sun Ra and his Arkestra, the Dirty Dozen Brass Band, and New Orleans saxman Lee Allen.
Roi J. Tamkin reviews A Darker Shade of Noir, fifteen new stories from women writers completely familiar with the horrors of owning a body in a patriarchal society, edited by Joyce Carol Oates.
Mandatory: The Best of The Blasters (Liberation Hall). Review by Bob Pomeroy.
Feeling funky this week, Christopher Long gets his groove on while discovering a well-cared-for used vinyl copy of one of his all-time R&B faves: Ice Cream Castle, the classic 1984 LP from The Time, for just a couple of bucks.
During AFI Fest 2023, Lily and Generoso interviewed director Lkhagvadulam Purev-Ochir, whose impressive debut feature, City of Wind, carefully examines the juxtaposition between the identity of place and tradition against the powers of modernity in contemporary Mongolia.
Juliana Hatfield Sings ELO (American Laundromat Records). Review by Laura Pontillo.
Ever-focused on finding (affordable) vinyl treasures, Christopher Long returns this week with his latest gem — a reasonably well-cared-for LP copy of The Glow, the 1979 studio classic from Bonnie Raitt.