The Pilgrim: A Wall-To-Wall Odyssey
Ignored upon release, Marty Stuart’s The Pilgrim is now regarded as a classic of the genre. Read how it came to be in this lavish look.
Ignored upon release, Marty Stuart’s The Pilgrim is now regarded as a classic of the genre. Read how it came to be in this lavish look.
Back Again (Mac Powell Records). Review by Christopher Long.
All-Star Bluegrass Celebration (Sugar Hill). Review by Tim Wardyn.
Hillbilly Rockin’ Man (Reba). Review by James Mann.
Farm Aid 2000, featuring Willie Nelson, John Mellencamp, Crosby, Stills, Nash, & Young, Neil Young, Barenaked Ladies, Travis Tritt, Alan Jackson, Sawyer Brown, Arlo Guthrie, North Mississippi Allstars, Shannon Curfman, Badi Assad Menagerie, Pat Green, Jimmy Sturr, Cowboy’s Nightmare, Trent Summar and the New Row Mob, and Chris DiCroce on September 17, 2000, at the Nissan Pavilion in Manassas, VA. Event review by Sean Slone.
This week, Christopher Long goes “gaga” over discovering an ’80s treasure: an OG vinyl copy of Spring Session M, the timeless 1982 classic from Missing Persons — for just six bucks!
Both bold experiment and colossal failure in the 1960s, Esperanto language art house horror film Incubus returns with pre-_Star Trek_ William Shatner to claim a perhaps more serious audience.
You Can’t Tell Me I’m Not What I Used To Be (North & Left Records). Review by Randy Radic.
In this latest installment of his weekly series, Christopher Long is betrayed by his longtime GF when she swipes his copy of Loretta Lynn’s Greatest Hits Vol. II right out from under his nose while rummaging through a south Florida junk store.