Lamb of God
Ashes of the Wake (Epic Records). Review by Daniel Mitchell.
Ashes of the Wake (Epic Records). Review by Daniel Mitchell.
Head Held High (Candlelight). Review by Daniel Mitchell.
death metal,grind core,thrash,Decapitated,The Negation,Earache,Daniel Mitchell
The Wretched Spawn (Metal Blade). Review by Daniel Mitchell.
metal,death metal,gore,Cannibal Corpse,The Wretched Spawn,Metal Blade Records,Daniel Mitchell
The Negation (Earache). Review by Daniel Mitchell.
Blood / Reign Forever World (Metal Blade). Review by Daniel Mitchell.
Blood / Reign Forever World (Metal Blade). Review by Daniel Mitchell.
Under a Stone with No Inscription (Wicked World / Earache). Review by Daniel Mitchell.
The Sin War (Metal Blade). Review by Daniel Mitchell.
Cain’s Way (World War III). Review by Daniel Mitchell.
Nihility (Earache). Review by Daniel L. Mitchell.
Humanracist (Blackened). Review by Daniel Mitchell.
Thelema.6 (Olympic/Avantgarde). Review by Nathan T. Birk.
Ugliness Revealed (Baphomet/Necropolis) and Holy Dead Trinity (WWIII). Review by Nathan T. Birk.
If a band takes its name from a Robert E. Howard tale, they’d better have some epic lyrical battlescapes to back it up. Symphonic metal masters Bal-Sagoth deliver on the promise of their name. David Lee Beowulf talks with swordsman – er, frontman Byron about Howard, weaponry, and metal!
To call Vader’s
Live In Japan (Pavement). Review by David Lee Beowülf
Black to the Blind (Pavement). Review by Jeremy Wernow
Black to the Blind (Pavement). Review by David Lee Beowülf
Blood, guts, and kicking butt in France — it’s the age-old story of Shakespeare. Carl F. Gauze once again enjoys the salacious violence and complicated plot points of Henry V, in the moody dark of Orlando Shakes.
Infidelity, agoraphobia and Ice Capades. Carl F. Gauze attempts to find an answer to the question “How Florida can you get?” in The Great American Trailer Park Musical at Theater West End.
Jeremy Glazier catches Ian Noe at the Rust Belt, where they discuss putting Between the Country together, some of the influences that affect Noe’s songwriting, and his dislike of EPs.
Christopher Long scores an absolutely ravaged vinyl copy of the 1977 self-titled debut from Karla Bonoff at a Florida flea market — for FREE!
Carl F. Gauze reviews this comprehensive look at the early works of Muppets creator Jim Henson by Craig Shemin.
Robert Pomeroy tracks down a long lost album on the web and catches up with two other bands on Facebook.
On today’s New Music Now, Judy Craddock talks to our musical guest, Nora O’Connor, about her solo album, My Heart, and the captivating new music she’s listening to right now. Tune in for great music, and more ’90s references than you can shake a scrunchie at.
Writer Kazuo Kasahara and director Kôsaku Yamashita transcend genre conventions to create the memorable film Big Time Gambling Boss. Phil Bailey reviews.
Frank Bello’s new memoir Fathers, Brothers, and Sons: Surviving Anguish, Abandonment, and Anthrax takes us from a New York childhood, to Anthrax stadium tours, to fatherhood with the charming informality of a conversation with an old friend. Then I’m Gone, Bello’s first solo EP, provides accompaniment. Joe Frietze reviews.
Savvy shopper Christopher Long scores a dodgy-looking copy of the Crosby, Stills, Nash & Young classic, Déjà Vu, on fairly decent-sounding vinyl — for just 50¢.
Carl F. Gauze caught a certain trio of android warrior sisters at the Enzian’s Robotica Destructiva premiere.
Brevard County showed their support for music in the community as nearly five thousand people attended the 2022 Space Coast Music Festival.