Founder relates the ups and downs of the long-running metal label.
The Warner Bros. Years: 1971-1983 (Warner Brothers). Review by Christopher Long.
|_My Son the Folk Singer||My Son the Celebrity||My Son the Nut||For Swinging Livers Only!_ (Collector’s Choice Music). Review by Carl F Gauze.|
We Walk this Road (Warner Brothers). Review by Christopher Long.
Spike Jonze interprets Maurice Sendak’s classic children’s story and accidentally produces a subtle and nuanced experience for the adult.
Avenged Sevenfold (Warner Brothers). Review by Jen Cray.
Icky Thump (Warner Brothers). Review by Jen Cray.
Unclassified (Warner Brothers). Review by Tim Wardyn.
Amanda Ghost¹s Ghost Stories is a disc full of finely crafted songs. S…
Something has happened to Brad Mehldau since his last album, and it isn’t goo…
If you can lay your gat down long enough to rid your CD player of that south …
What is there left to say about this band? They’ve given us some of the fines…
When I first heard the title of this album, and a few of the lyrical ideas, I…
Art of the Trio 4: Back at the Vanguard (Warner Brothers). Review by Jason Feifer
Viva El Amor! (Warner Brothers). Review by James Mann
Californication (Warner Brothers). Review by Paul Thanasides
Metal Box / Second Edition (1979 / 1980) (Warner Brothers). Review by Charles D.J. Deppner
Recently on Ink 19...
Carl F. Gauze reviews Live and Fucking Loud From London on DVD, featuring the queen of rock and roll sex appeal, Wendy O. Williams.
Director Laura Citarella, of the famed filmmaking collective El Pampero Cine, has created with her newest feature Trenque Lauquen a provocative transformation of her protagonist Laura (Laura Parades), whom Citarella first introduced in her 2011 film Ostende. Lily and Generoso enjoyed an in-depth conversation with Citarella about Trenque Lauquen when it screened at AFI Fest 2022.
Back in 2018, Lily and Generoso selected Adirley Queirós’s Once There Was Brasilia as a top ten film. That feature’s cinematographer, Joana Pimenta, has now co-directed with Queirós one of the most expansive political films we’ve seen this year, Dry Ground Burning. Lily and Generoso interviewed Pimenta at AFI Fest earlier this month.